Velainu Vandhutta Vellaikaaran is a forgettable film that is probably not worth your time, says S Saraswathi.
SJ Surya has given a performance of a lifetime, writes S Saraswathi.
All India Anna Dravida Munnetra Kazhagam cadres on Wednesday attacked and injured the husband of expelled Member of Parliament Sasikala Pushpa, who was accused of trying to create a law-and-order problem ahead of Thursday's General Council meeting to elect a new general secretary.
The first half though is not exciting as most of it is wasted on a meaningless romantic angle with some tiresome comedy, feels S Saraswathi.
The charming performances by the lead actors make director Pandiraj's Idha Namma Aalu worth a watch!
Director Ponram's Rajini Murugan has no real plot, nor any remarkable characters or poignant moments, but some good music, vibrant visuals and spontaneity and charm of its lead actor, makes it a fun watch, writes S Saraswathi
Vasuvum Saravananum Onna Padichavanga is a silly and tasteless romantic comedy that's not worth your time, warns S Saraswathi.
Gethu is boring and uneventful, warns S Saraswathi.
Director Vijay Chander's Vaalu is a regular commercial entertainer with a weak plot, poor execution, unrealistic action and mindless fun, writes S Saraswathi.
AIADMK leaders want Chinamma to succeed Amma as party general secretary, but it is not a done deal yet.
Theri rests entirely on Vijay's shoulders, feels S Saraswathi.
Director Prakash Kovelamudi's Inji Iduppazhagi deals with the concept of size zero superficially and you feel no emotional connect, writes S Saraswathi.
The Hindi version of Rajinikanth's Kabali did not find much love outside Tamil Nadu
Karthik Subbaraj's Aviyal is an eclectic mix of fun and interesting stories by five independent filmmakers.
The best part of the film is that, though it revolves around Vijay Sethupathi and Madonna Sebastian, they are small players in the larger story, says S Saraswathi.
Simple, sweet and uncomplicated, Naanum Rowdy Dhaan is a romantic comedy that deserves a watch, writes S Saraswathi.
There is a certain wackiness to the narrative and the absurd characters that makes Jackson Durai a tolerable watch, says S Saraswathi.
Director Vijay Milton's 10 Endrathukulla is marred by overzealous performances, ordinary music, tacky CGI and poor execution, warns S Saraswathi.
The film keeps you engrossed for most part, says S Saraswathi.
The film is engagingly narrated in flashbacks that move seamlessly from one character to another, says S Saraswathi.
Director Bramma's Kuttram Kadithal is an intense drama that questions the adequacy of our school system, says S Saraswathi.
Director Ashwin Saravanan's Maya is a gripping supernatural thriller. S Saraswathi recommends.
Director M Muthaiah's Komban is an over-the-top rural-based film with too much violence
Tamil film Thani Oruvan is perfectly executed, says S Saraswathi.
Though Katham Katham moves at a brisk pace, it is predictable and long, writes S Saraswathi.
Bench Talkies is a very ordinary collection of short films, says S Saraswathi.
Gitanjali Selvaraghavan's Maalai Nerathu Mayakkam is a far cry from your regular love stories.
Director Sarkunam's Chandi Veeran is worth a watch, says S Saraswathi.
Read on to know what S. Saraswathi has to say about the Tamil movie Bhooloham.
Pasanga 2 is fun-filled emotional film about children reeling under the burden of their parents's dreams and aspirations.
Tamil film Sakalakala Vallavan Appatakkar lacks imagination, says S Saraswathi.
Orange Mittai has its sweet and sour moments, with just the right balance of humour and emotions, says S Saraswathi.
Director Velraj's Thanga Magan is all about the coming of age of a fun-loving youngster taking on the responsibility of a family, says S Saraswathi
Debutant director Ravi Kumar deserves all the credit for Indru Netru Naalai, writes S Saraswathi.
The psychological thriller revolves around a neurotic police officer, whose life and career are destroyed after he is dumped by his prospective wife.
Director Siva's Vedalam is an action packed potboiler revolving around one man's mission to take down an international flesh trade racket.
The mishap occurred as large number of people tried to rush into the Puskhar ghat to take a holy dip.
Inimey Ippadithaan is a poorly-written, uninspiring romantic comedy that revolves around a young man's quest to find the perfect bride.
Kaaka Muttai is a delightful entertainer with a subtle message, writes S Saraswathi.
Director Gunasekhar deserves applause for his attempt to capture history on screen, but the melodramatic screenplay, never-ending battle scenes and highly exaggerated performances give an unreal quality to this real-life account.
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