'Khaitan's film will continue to invite comparisons with Manjule's, but the fact that it is out there for viewers to see is perhaps a greater tribute to the original than is conveyed by the cautious desire to remake it,' says Vikram Johri.
Marathi film Sairat will stay with you for a really long time, raves Divya Nair.
Doesn't he know that the Indian audience has settled itself with a certain strain of mediocrity that lands up at the cinemas every Friday?
'I knew Sairat would make an impact because its theme of inter-caste relationship and marriage connects with our entire country. I won't pretend the success was unexpected.' Sairat director Nagraj Manjule basks in the film's success.
'As a remake of Sairat, Dhadak is a travesty.' 'As a standalone, Dhadak is standard Bollywood boy-meets-girl drivel.' As a showcase, Dhadak is a promise that will take some more effort to fully fulfil,' says Sukanya Verma.
Sairat is the first Marathi film to cross Rs 100 crore.
Dhadak is a film that turns Nagraj Manjule's vision into naught, only so that a few more zeroes can be added to Karan Johar's bank account, says Sreehari Nair.
'With Janhvi, we spent a lot of time together during the prep.' 'So by the time we went on the sets of Dhadak, it felt like being on the sets with your best friend.' 'On the sets, we were having too good a time.' 'We were having so much fun that I was worried if we were getting the work done or not.'
Jyoti Punwani examines the relevance of the Sairat, the hit Marathi film everyone is talking about, in today's times.
