Marudhu will give you a headache, warns S Saraswathi.
Ko 2 is too dreary to make an impact, feels S Saraswathi.
Pencil is an engaging thriller with an interesting plot and good performances, feels S Saraswathi.
Freshly packed ladoos were distributed by exuberant party workers to everyone on the road, and even to commuters on the bus, auto and bikes.
Director Bakkiyaraj Kannan's Remo is a ridiculous romantic comedy revolving around the hero's struggles to win the girl of his dreams.
Thoonga Vanam is definitely not your regular thriller, writes S Saraswathi.
Suriya is undoubtedly the star of the show as the cold-blooded Athreya, showing no mercy or remorse, writes S Saraswathi.
The Tamil version does not boast of strong characters, feels S Saraswathi.
'Things are far from normal. The roads are still under several feet of water and every time we venture out, it is a nightmare wading through the water that is no longer flowing but stagnant, filthy and foul-smelling. Shops are yet to stock up on supplies. Power supply is erratic and there is constant fear that it might go off again.' S Saraswathi recalls the horrific four days of her life.
Good performances, a well-written screenplay and great comedy make Vasanthamani's Vetrivel a decent watch, writes S Saraswathi.
Enakkul Oruvan is an engaging and admirable effort by debutant director Prasath Ramar, says S Saraswathi.
The narrative seems to go absolutely nowhere from start to finish, says S Saraswathi.
The director has kept the narration simple without any unnecessary drama and both - the situations and the characters - appear real, says S Saraswathi.
Yatchan is an unexciting action comedy, writes S Saraswathi.
What does the box office of Akshay Kumar and Hrithik Roshan's film have to say?
Pokkiri Raja is a silly meaningless action comedy, says S Saraswathi.
Pichaikkaran may have overdosed on action and sentiment but the film is definitely worth your time, says S Saraswathi.
The film is reduced to a lame science fiction with an overdose of action, writes S Saraswathi.
Vasuvum Saravananum Onna Padichavanga is a silly and tasteless romantic comedy that's not worth your time, warns S Saraswathi.
Director Vijay Chander's Vaalu is a regular commercial entertainer with a weak plot, poor execution, unrealistic action and mindless fun, writes S Saraswathi.
Vil Ambu is an engaging thriller, writes S Saraswathi.
Jil Jung Juk does have its share of laughs but it lacks the chaos, excitement and crazy fun that would have made the film more enjoyable, writes S Saraswathi.
The film appears more colorful and vibrant but drags a bit in the second half, writes S Saraswathi.
The VFX is rather ordinary and the film is loaded with annoying horror clichs, feels S Saraswathi.
Irudhi Suttru is an enjoyable sports drama that keeps you hooked throughout, writes S Saraswathi
The first half though is not exciting as most of it is wasted on a meaningless romantic angle with some tiresome comedy, feels S Saraswathi.
Director Ponram's Rajini Murugan has no real plot, nor any remarkable characters or poignant moments, but some good music, vibrant visuals and spontaneity and charm of its lead actor, makes it a fun watch, writes S Saraswathi
Gethu is boring and uneventful, warns S Saraswathi.
Some of the performances are ordinary, but even that does not affect the magic of this film, says S Saraswathi.
Velainu Vandhutta Vellaikaaran is a forgettable film that is probably not worth your time, says S Saraswathi.
SJ Surya has given a performance of a lifetime, writes S Saraswathi.
The charming performances by the lead actors make director Pandiraj's Idha Namma Aalu worth a watch!
Director Prakash Kovelamudi's Inji Iduppazhagi deals with the concept of size zero superficially and you feel no emotional connect, writes S Saraswathi.
Theri rests entirely on Vijay's shoulders, feels S Saraswathi.
Simple, sweet and uncomplicated, Naanum Rowdy Dhaan is a romantic comedy that deserves a watch, writes S Saraswathi.
Director Vijay Milton's 10 Endrathukulla is marred by overzealous performances, ordinary music, tacky CGI and poor execution, warns S Saraswathi.
Director M Muthaiah's Komban is an over-the-top rural-based film with too much violence
The film keeps you engrossed for most part, says S Saraswathi.
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