Rahu Ketu crams in a clumsy social commentary on corruption and social evils, along with flashy dance numbers, trying to do everything and too much all at once, before ending up as khichadi, notes Mayur Sanap.
Plenty happens over the show -- riots, nefarious schemes, betrayal and multiple murders -- which should have made for a riveting watch but everything evokes déjà vu and worse, sighs Deepa Gahlot.
Candy is worth binge-watching because it offers a good mix of drama, mystery and intrigue, observes Namrata Thakker.
'With Mirzapur characters, you don't know what's going to happen -- mid season, first episode, last episode -- you could be taken out anytime.'
The mental age of Fukrey 3's humour is the same as the ones who titter at number one-number two jokes. And this one certainly has more loo than laughs on its mind, observes Sukanya Verma.
Jawan is disproportionately extolled for making political comments, but it is a small film like Bhagwan Bharose that usually sticks its neck out, notes Deepa Gahlot.
Just what do actors *do* the whole day?
Boman Irani makes his OTT debut with Masoom, and it was good to see the actor on screen after a long time, observes Deepa Gahlot.
'Anything serious should be said with a hint of comedy.' 'Only then will people understand it better.'
Hum Do Hamare Do is the kind of rush job rom-com that cuts to the chase after so much dillydallying and in such a dull manner, it completely misses the point, sighs Sukanya Verma.
Abhishek packs a punch and Nimrat is deliciously wicked but Dasvi falls short of being the razor-sharp satire it deeply aspires to be, feels Sukanya Verma.
No one can make the audience laugh like Govinda, raves Syed Firdaus Ashraf.
'Why does it exist in the film industry?' 'It is because we are culturally nepotistic.' 'The son always grows up to carry on the work of the father; that's where we come from.' 'So if you have to tackle nepotism in the film industry, you have to tackle it in our culture.'
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