A look at this week's hits and misses.
'I know what is in store. It is like going to a restaurant where you know the menu,' says Boney Kapoor
'We should be careful in creating a new Internet justice system in case it's misused.'
Reader Shyam Das met the actor while he was shooting for the No Entry sequel.
Darbar's music, the direction, sets, props, the rest of the cast are all there with one single purpose: To make Rajinikanth look like the superstar he already is, says A Ganesh Nadar.
A hoarding in a Mumbai suburb sets the mood for the SRK flick.
A look at the starry arrivals.
Filmmaker Sai Prakash makes a mess of a potentially serious subject.
Item-girl Mrinalini Sharma talks about her first film, Apaharan.
Sukanya Verma looks at the many ways fire enjoys a significant presence in our movies.
'It took me 27 years to reach where I am,' says Anees Bazme.
Anil Kapoor talks about his new film, Welcome, and much more.
The actor will next be seen in Karan Johar's directorial venture Ae Dil Hai Mushkil.
'Instead of getting rehabilitated in Bollywood, I have forced into legal hassles while everyone else watches the drama.'
The Bharatiya Janata Party leader made the comments in response to questions by reporters on Wednesday amid the raging #MeToo storm which has demolished the carefully cultivated reputations of many distinguished personalities in the field of media and entertainment industry including celebrated journalist M J Akbar.
Thanks to the ongoing festivities, Bollywood stars turned revelers over the weekend.
Hindi cinema has not just explored various instances of brute force, but often glorified its misogyny.
Akshay-Katrina have been among the most successful on-screen couples till date and the same is expected to continue with Rohit Shetty's Sooryavanshi.
Nishkant Kamat passed into the ages too soon, at just 50, but he left behind a repertoire of films which will carry on his legacy.
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