Simanta Roy Buck finds out why Indian-American singer-songwriter Zoya Mohan bought a one-way ticket to Mumbai.
When it comes to celebrating William Shakespeare, can India be far behind?
One cannot but infer that this brouhaha is a crafty ploy to create an issue out of a non-issue. An overview of post-independent India's history reveals that it is not the BJP or the Sangh Parivar but Marxist historians who have been guilty of debasing history to suit their vested interests, says Vivek Gumaste.
In our special series revisiting great Hindi film classics, we look back at Prithviraj Kapoor, Raj Kapoor, Randhir Kapoor and Babita's 1971 film, Kal Aaj Aur Kal.
'Hrishi-da often voiced his disenchantment with Bachchan's Angry Young Man persona -- the 'maara-maari', the growth of sidelocks; he even said directors were killing Amitabh the actor and turning him into a stuntman. Yet, as Jaya Bhaduri jovially pointed out, the seeds of that seething persona can be found in Anand and Namak Haraam.'
Rediff.com reproduces the 1997 feature about Laxman, his passion for crows, and of course, his genius.
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