'I went away from the industry because all the people I enjoyed working with, like Manmohan Desai and Prakash Mehra, are no more.' 'They left this world and went away, so I lost interest in my work.'
'People have simply chosen to twist my words. They are abusing me and my family. If our Hindu culture forbids beef meat, does the same culture give you the right to abuse me and my family just because I have an opinion that you don't agree with? Is that our culture?' Rishi Kapoor makes his stand clear.
Ram Gopal Varma is back with Part Three of that series, which presented to us the first clear evidence that the great man was slipping, rues Sreehari Nair.
Mumbai's Santosh Gaikwad is on a mission to preserve India's wildlife for future generations, says Nikita Puri.
'We will never really lose him because in death, his spirit, trapped in a frail body, has been set free and will surround us like the air we breathe.'
'Nationalism has been defined for us. It is what the BJP and Modi bhakts decide, not me, you or Salman Khan. If you don't agree with their view, you are a Pakistani agent and an anti-national. Period. No more argument. The discussion ends there.'
Six Kashmiri Muslim students belonging to Sarhad, an organisation which brings semi-orphans from strife-torn regions to live and study at their school and college in Pune, share their hopes for their state and their experiences outside it. Jyoti Punwani reports.
Dhruv Shirpurkar's parents never let go of their faith in God while standing with him in his battle against a rare disorder that left him 85 per cent disabled and bound to a wheelchair.
Hers is a rags-to-riches story for the ages, peppered with risks, determination and strokes of luck.
'I was in love and so I got married very early. Love makes you do crazy things. If I had not married then, my life would have been different. Today, I see women balancing their careers and homes. They are giving equal importance to their personal desires and their families, and that is great. I haven't been able to find that balance.' Bhagyashree, close and personal.
'Smita Patil was the reason I got into films. She kept telling me to get into films but I said I was happy doing theatre, I don't like films. Today, when I look back, I don't think I disliked films. Maybe I thought who would take me in films? I think it was a complex.' Nana Patekar looks back at his life.
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