Stunning looking, Bulbbul keeps the scares to a minimum, observes Moumita Bhattacharjee.
'When he saw a few unedited scenes, he blasted me.' 'I was completely destroyed that night.' 'But when he saw it the second time, he said it was not that bad.' 'Now that he has seen the entire film, he is satisfied.'
The hits and misses of the week.
The hits and misses of the week.
The hits and misses of the week.
The verdict for the week.
Vinod Mirani gives us his weekly verdict.
'Dibakar Banerjee isn't simply giving a particular fascistic regime the finger.' 'Here, he wants to offer us a preview of the invisible forces and human tendencies that drive fascism, blind conformity, and mass hysteria,' says Sreehari Nair.
Aseem Chhabra picks the scenes that left him impressed this year.
True misogyny is when you stop being curious about women, and Milind Dhaimade directs his actresses with a sense of wonder. Tu Hai Mera Sunday has delightful women characters, sketchy men, and individual threads that work better than the whole package, feels Sreehari Nair.
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