A look at the red carpet arrivals.
Raja Sen analyses the year so far.
'Today, a four-year-old child knows how to go on YouTube and see everything.' 'What are you going to control and what are you going to tell them? Nothing.' 'This is the generation we are living in.'
God bless Ritesh Batra, raves Sukanya Verma.
A Death in the Gunj is not a happy film at all times, but it is very entertaining says Aseem Chhabra.
'I don't remember the last time I was this invested in the characters of a story since Doordarshan's golden age or early days of cable television boom,' applauds Sukanya Verma.
And no, the list doesn't start and stop with Boman Irani!
Under Rajkumar Hirani's light touch and unwavering optimism, the darkness of Sanjay Dutt's life acquires the spirit of a sportsman, grit of a soldier, humour of a rascal and regrets of a son, notes Sukanya Verma.
'As the film progresses, you tire of the been-there seen-that spectacle.' 'You want a story. You want good dialogue, not the corny words you are hearing.' 'You want an emotional connect. You want a tighter film.' 'Sadly, with Padmaavat, that's not what you get,' says Savera R Someshwar.
The actress, who turns feature film director with A Death in the Gunj, discusses the cinema she is comfortable with and why she loves being an outsider.
'Sanjay Leela Bhansali's historical characters behave as though they are already aware of the chapters that will be dedicated to them and the sonnets that will be written in their memory.' 'And yet, they talk relentlessly about making and remaking history.' 'Can anything be more superficial?' asks Sreehari Nair.
Sonam Kapoor is exceptional as Neerja Bhanot, says Raja Sen.
'I always wanted to play a negative character, so I was like why not play it with Mr Bhansali?' 'As they say, be careful what you wish for.' 'I wanted to play an antagonist and I got the most evil one ever.'
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