The latest updates from the Malayalam film industry.
Take your pick from these four releases.
The film is an entertainer based on the lives of seven gentlemen thieves.
The film truly sticks to it's title.
The superstar's last two films 7th Day and Saptamasree Taskaraha have been big hits at the box office.
Jallikattu, the Malayalam feature film directed by Lijo Jose Pellissery, has been selected as India's official entry for the Oscars.
From the blood and tears that flowed in the first half, the narrative takes a 'U' turn and becomes a comic caper post interval, giving us a feeling that we watched two different films that were merged together midway, feels Paresh C Palicha.
Two interesting Malayalam films are lined up for the release this week.
A lowdown on what's happening in the Malayalam film industry.
Tamaar Padaar is a below average, barely watchable film.
Once you are done paying your respect to God and Grasshoppers, you circle back to the human beings in Gold, and that's when things become progressively more and more muddled, observes Sreehari Nair.
There are elaborate court scenes in Paavada that test our patience for two and a half hours, writes Paresh C Palicha.
Kohinoor lacks the sparkle, feels Paresh C Palicha.
Which film are *YOU* looking forward to?
'In Angamaly Diaries, dreams, kinks, small corruptions, cheap lives, and hopes are all given their due and that attitude frees us up to believe that perhaps there is more good than bad in the sum total of us.' 'This is a coming-of-age tale taken straight out of a diary written in blood,' says Sreehari Nair.
Lord Livingstone 7000 Kandi is a tiring watch, warns Paresh C Palicha.
The south awards night was a GRAND affair!
Kali has the potential of becoming a rage with the viewers, feels Paresh C Palicha.
Iyobinte Pusthakam is a visual extravaganza where director Amal Neerad's technical skills and the brilliance of the ensemble cast win the day.
Pellissery's women continue to express the beauty in our common humanity. And often, these women go so far into expressing our hopes, desires, absurdities and follies that they end up acting at variance with the ethical prescriptions of our age. And this, I believe, is precisely why they remain "invisible" to a whole bunch of viewers, says Sreehari Nair.
Small-town India shines right through in these movie gems.
Part of what make Ee.Ma.Yau so special is its ability to focus our attention on things that conventional movies throw away under the pretext of storytelling, says Sreehari Nair.
As Fahadh Faasil turns 39 on August 8, Subhash K Jha looks back at his favourite films featuring the brilliant actor.
To an award show that's famous for honouring artists belatedly, we have sent as our official entry one of our major film-makers's weakest work yet, feels Sreehari Nair.