Dharmendra got his He Man image with Phool Aur Patthar, which was so strong that he never managed to fully shrug it off.
In half a century, actors have aged or passed away, the shape of the city has altered, the film industry has changed beyond recognition, most single screens have made way for multiplexes, audiences tastes have changed, rural life is very different now, and inflation has devalued the rupee. But a great film is forever. Deepa Gahlot salutes Sholay, as it re-releases in theatres.
Even after 50 years, Sholay remains a lasting reminder of unity, shared memories and the joy of cinema, notes Mohammad Asim Siddiqui.
'Editor M S Shinde deserves full credit because, I'm told, Ramesh Sippy had shot 300,000 feet of footage, which was brought down to 18,000. 'He died in 2012, in a 126 square foot flat in Dharavi, penniless, a forgotten hero.'
'I wouldn't change a single shot even if I could, the film is just perfect even with a supposedly flawed script!' Celebrating Sholay's 50th anniversary on August 15 with a special series, where contemporary film folk analyse the cult classic.
This week's release JohnDay will see Naseer in one of his most violent roles.
One of the most successful screenplay writers of his time, Salim Khan looks back at his most popular work.
Bollywood stars really have an obsession for stylish piece of footwear.
Desi Kattey is an insipid mishmash of just about every script engaging two friends going separate ways meets underdog sports hero, rants Sukanya Verma.
Sukanya Verma recaps all the action at this year's MAMI.
Rediff.com celebrates 40 years of the beloved movie classic.
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