As someone who could not predict a single beat in advance, who was exhilarated by its audacity to throw random elements together and take chances all over the place, Sreehari Nair thinks Odum Kuthira Chaadum Kuthira is one of the best films of the year.
The two young Malayalam superstars fight it out this weekend.
The premise of the film may be very old but the sincere effort of the entire cast makes it watchable, writes Paresh C Palicha.
Which film are *you* looking forward to?
Once you are done paying your respect to God and Grasshoppers, you circle back to the human beings in Gold, and that's when things become progressively more and more muddled, observes Sreehari Nair.
Karma Cartel director Vinod Bharathan gives us an insight into his style of filmmaking.
A lowdown on what's happening in the Malayalam film industry.
A lowdown on what's happening in the Malayalam film industry.
'We feel thrust into a motion picture that has all the makings of a carnival but no real fireworks,' Sreehari Nair notes after watching Malik.
Kohinoor lacks the sparkle, feels Paresh C Palicha.
Rasputin is long-delayed, and not meant for today's times, says Paresh C Palicha.
Manglish is a typical star vehicle that does not deserve a critical dissection.
By the time the big twist arrives in Aneesh Upasana's Malayalam thriller Seconds, we are too jaded to enjoy or appreciate it, says Paresh C Palicha.
With Premam, director Alphonse Putheran proves that he has the knack of presenting themes that have blockbuster written all over, writes Paresh C Palicha.
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