Here's your weekly digest of the craziest stories from around the world.
Raja Sen confesses to not being able to stop raving about the spectacular La La Land.
He had even proposed marriage to Madhubala. When she had giggled it off, he was said to have gone home and cried in front of his mother.
'Why is it that we are so forgiving of the glaring problems in grand multi-starrers like Dil Dhadakne Do,' asks Sreehari Nair, 'but when a small film with a truly personal vision seeks our approval, we analyse it through a prism of formal perfection?' 'With its Seinfeldian humour, episodic structure and performers who play off each other's energies, Meeruthiya Gangsters goes farther than most Hindi movies.'
'Mahesh Bhavana is a young man who is beaten up in the town's marketplace and who consequently pledges that he won't wear his slippers again, till he avenges the beating.' 'But Mahesh can't get his revenge that easily -- his punisher is off to a distant land. So what does Mahesh do? He waits. And the town waits with him. And we wait with him.' 'Maheshinte Prathikaram is one of those movies where I didn't know what hit me. I don't remember another movie -- at least in recent times -- that I surrendered to with such happiness,' says Sreehari Nair.
Two of the greatest modern exponents of yoga began their life in Mysore, under the tutelage of the legendary Krishnamacharya. For both of them, life was yoga. And yoga was life, says Sunaad Raghuram.
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