The film is a Salman vehicle that showcases the best of the actor one has seen over the last twenty years.
Implicit violence woven into terse dialogues helps maintain the pace of the film.
More than a social drama, Antardwand is actually a thriller merely because it's impossible to predict which direction the film will take. Thankfully, the film does not end in 'Bollywood' style.
Ganesh Acharya's Angel is one more love story which will fade into oblivion.
Utt Pataang is interesting provided you enjoy comic capers with a hint of romance.
Eat Pray Love is a long film which is often headed nowhere despite Julia Roberts' tremendous screen presence.
The actor fills up the frame and leaves little room for his co-actors in director Habib Faizal's debut film. The film manages to draw you effortlessly into 'the Duggal world' but the script lacks enough meat to keep you hooked.
We Are Family falls into the same genre of films such as Ta Ra Rum Pum or Thoda Pyaar Thoda Magic which are purportedly about kids but it's the same melodramatic mush being dished out in a new wrapper. A sensitive, real film such as Stepmom has been turned into a cliched Bollywood potbroiler.
The film is riddled with pithy, half-baked situations, dialogues laced with sexual innuendoes and downright in-your-face vulgarity. Run far far away from this one.
If romantic melodramas are your cup of tea, this film is perfect for you.
Despite its flaws and all the hype about nudity, the movie gives us a refreshing take on extra-marital liaisons.
Toy Story 3 has all the earlier elements of part one and two combined with stunning visual effects, touching dialogues and a brilliant background score.
Bollywood's blockbuster machine Salman Khan's presence is greeted with whistles and euphoria every time he appears on the silver screen.
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