'When these fugitives flee to Karachi they don't have much to do, but tweedle their thumbs.' 'I have seen a number of criminals coming back to India because they realise they can meet more people over here.' 'After the 1993 blasts, Latif was not mentioned in the chargesheet.' 'He probably felt he could safely return to India.'
For 2100-MHz, 2300-MHz and 2500-MHz bands across circles; aim to offer these with 3G and 4G in February
Rs 200-cr burden likely for TV rating agencies.
Can the country afford to have problems of such magnitude in the cities of Gurgaon, Bengaluru, Pune and Hyderabad, which not only are the major growth drivers but are also the biggest revenue contributors in their respective states?
Moving from pricing control to a free market means stiff competition.
'Make in India' could suffer the same fate as did privatisation and the command economy, says Ajit Balakrishnan.
We need transformative policies and incentives with purpose, especially in solar power and digital infrastructure.
One way to bring down the cost is selling off old furniture.
Ministers in the Narendra Modi government have been busy making presentations on their 100 days of work. But what these presentations do not mention is that decisions by ministers have been few, with plenty of papers and files moving to the Prime Minister's Office, which is increasingly emerging as a centralised clearance point, even for routine and ordinary issues. Though policy paralysis was a term used freely for the United Progressive Alliance regime, questions are now being raised about pending decisions across ministries and whether at least some ministers have turned redundant.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
India's top metro cities need to improve their infrastructure and other civic amenities too.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
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