A roundup of the best dressed celebrities who took fashion to a whole new level at the AMFAR New York Gala 2016.
Ittefaq has a gagster attitude, plenty of light touches, and it announces Abhay Chopra as a mainstream talent to watch out for, says Sreehari Nair.
The actors are good and Sujoy Ghosh is tremendous at creating a textured Bengal setting, but this is a thriller which could have used more twists and smarts, says Raja Sen.
Kabali has nothing new to say or offer, besides Rajinikanth playing his age, feels Raja Sen.
The Raid 2 is dominated by a lot of unnecessary violence, says Paloma Sharma.
Revolver Rani could have been the movie of the year. It ended up as a confused film that can't decide who, or what it wants to concentrate on instead, says Paloma Sharma.
Rangoon haunts in unlikely fashion and, while the director's most straightforward picture, holds enough of its own marvels to justify multiple viewings,' notes Raja Sen.
'The real problem that has affected Tarantino's films is not their amorality. On the contrary, it's their misplaced morality.' 'The basic pitches for his movies, off late, tackle such pre-resolved issues, that they don't quite allow his pop-culture sensibilities to hit a crescendo and instead reduces them to trinkets in service of broad movie prototypes.' 'Which means that neither history nor cinema triumphs.'
'When I least expect it, I start to find traces of India in foreign lands.'
The Revenant is a devastating, visually jawdropping film that, for all its sins of tedium, makes up with scale what it lacks in artfulness, feels Raja Sen.
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