The actor was injured in a road accident recently.
The actor is called Thampan Tharakan in the film and belongs to a traditionally wealthy family.
Anjali Menon talks about her experience of directing her first film Manjadikuru.
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The film was recently awarded as the second best film at the Kerala State film awards.
The film is about a doctor who is based in Dubai, and the three women who come into his life.
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Rajiv Anchal speaks about directing the Malayalam film, Pattinte Palazhi.
The film has been garnering critical acclaim at film fests.
Shooting for the Malayalam movie which also stars Shankar, Jagathy Sreekumar, Shriya Saran, Lakshmi Rai and Roma, has already started in Dubai.
Get your low down on what's happening in the Malayalam film industry, right here!
A lowdown on all the goings-on in the Malayalam film industry.
The director is excited about her 14-minute film featuring Sreekumar and Nithya Menon.
The Malayalam film directed by veteran Venu Nagavally maybe praised for its unusual casting of Jagathy Sreekumar and Uravashi in a social drama. But, it does not do justice to their calibre.
"Every actor's life is short. It exists only between 'Action' and 'Cut'," Mohanlal once told Subhash K Jha.
These films, even at their saddest, darkest and grossest, retain their sense of humour, their sense of proportion, which again is something you associate with a Malayali.
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There is nothing new in the film and it is the effort the actors put in that helps the film from sinking totally.
Jayraj's Camel Safari fails to connect with the youth at whom it was aimed to.
100 Days of Love leaves a lot to be desired as a serious love story.
As much as we enjoy and write reams and reams about our amazement at the Kantara climax, 30 years on from now, will we remember these portions more fondly or the ones where Shiva is simply hanging out with his friends, mulls Rohit Sathish Nair.
Mylanchi Monjulla Veedu is a typical old world story with inter-religious relationship, elopement, mayhem and murder.
A Nedumudi Venu character was happiest when moving his head to a piece of music with his eyes closed; or, when inventing off of a note that a co-actor had left unfinished; or, when reciting a poem by Kavalam Narayana Panicker where a hymn about nature descends into a musing about cheating, depression and death, feels Sreehari Nair.
Bangalore Days director Anjali Menon discusses her films and more.