'Once you are a mother, you don't have time for yourself, especially if you are a first-time mother. You want to do everything for the child and then you realise that you don't have 10 hands.' Rakshanda Khan is back, and ready to thrill!
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'Obedience, service and an over-glorified stress on keeping the family's honour intact keep Muslim women from focusing on their own happiness. So they stay joyless and 'pious,' with an ever-present hint of bitterness for the fun-loving women,' says Zoia Tariq.
'Once Attenborough had locked the shot, Jaffrey turned to Amitabh and told him in a very controlled but stern voice that he should never talk to an actor in between takes.'
'I was hesitant initially because I thought Amrish Puri's role was bigger than mine. But when I shot for the film, I realised Adi's casting was so good that no character could be replaced.' Anupam Kher goes back in time.
In our special series revisiting great Hindi film classics, Sukanya Verma looks back at Rishi Kapoor-Sridevi-Vinod Khanna starrer Chandni.
'He represented the warmth, gentleness and goodness that existed in Hindi cinema before Bollywood became a loud commodity.' Aseem Chhabra on the legendary actor he admired for over 40 years.
In a major measure, Mumbai's municipal corporation has sent legal notices to 249 private primary schools asking them to shut down. The step threatens to disrupt the already inadequate educational scenario in the city, reports Hepzi Anthony.
While study was done before the current boardroom battle began, the findings indicate Tata is no longer viewed as aspirational brand by working professionals.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
Bhendi Bazaar faces a fairytale future as the Dawoodi Bohras initiate a Rs 3,000-crore project to change it from a squalid marketplace to a swanky neighbourhood, says Ranjita Ganesan
