Sreehari Nair is *not* impressed by this lot of films at all.
Sobhita Dhulipala makes her debut with Raman Raghav 2.0.
Lootera is a gorgeous, gorgeous film, one that uses its period setting affectionately, with loving detail, and not exploitatively, as our cinema is wont to do.
'We still look at films with A-listers.' 'There is change, but it's minor.' 'We still haven't learnt how to invest in stories.'
Aseem Chhabra's recommendations for the Mumbai film festival.
'The standing ovation in Cannes was a rare moment where I felt patriotic. I realised that the audience was not clapping for an individual but for the team that came from India with such a beautiful film.' Masaan's leading man Vicky Kaushal takes us through its making.
'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
