As someone who could not predict a single beat in advance, who was exhilarated by its audacity to throw random elements together and take chances all over the place, Sreehari Nair thinks Odum Kuthira Chaadum Kuthira is one of the best films of the year.
Tovino Thomas' big budget action entertainer is a middling, tonally inconsistent watch that keeps you hooked, observes Arjun Menon.
The film is about two youngsters who want to make some quick money and lead a luxurious life.
Malayalam film Mannar Mathai Speaking 2 is not a patch on the previous two films, writes Paresh C Palicha.
As much as we enjoy and write reams and reams about our amazement at the Kantara climax, 30 years on from now, will we remember these portions more fondly or the ones where Shiva is simply hanging out with his friends, mulls Rohit Sathish Nair.
Once you are done paying your respect to God and Grasshoppers, you circle back to the human beings in Gold, and that's when things become progressively more and more muddled, observes Sreehari Nair.
On the whole, the film turns out to be a heartless adventure.
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Kunchako Boban gives his best performance in Pullippulikalum Aattinkuttiyum.
Bhaiyya Bhaiyya does provide a few chuckles, but nothing substantial.
With Joji, Dileesh Pothan has found a way, once more, to use everything he has learnt to further push the boundaries of his art, observes Sreehari Nair.
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