Mammootty plays a prisoner in the film, who is serving a sentence for double homicide.
The film has been garnering critical acclaim at film fests.
The period film titled Njan, is directed by Ranjith.
A lowdown on all the goings-on in the Malayalam film industry.
The film has the famous Attukal Pongala festival as the backdrop and the Censor Board initially refused to give a screening certificate.
Upacharapoorvam Gunda Jayan is a good respite from the dark, violent films we have seen in recent times, observes Divya Nair.
The film makes an effort to add sparkle to the so-called 'new gen' formula, but ends up being a damp squib.
Dulquer Salmaan plays a character from the 1930s in Ranjith's Njan, and media person John Brittas makes his big screen debut in Madhu Kaithapram's Vellivelichathil.
The latest updates from the Malayalam film industry.
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Once you are done paying your respect to God and Grasshoppers, you circle back to the human beings in Gold, and that's when things become progressively more and more muddled, observes Sreehari Nair.
Tamil film Thani Oruvan is perfectly executed, says S Saraswathi.
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Director Jimson Joy tries to combine an old-style narrative with so-called 'new gen' cinema in Bicycle Thieves, but fails to get it right.
Despite its stiffness, in Aarkkariyam, a supernatural glow does shine out of the ordinary.
Malayalam film The Dolphins gets preachy after a while, says Paresh C Palicha.
What Director Mahesh Narayanan captures perfectly in C U Soon is the texture of our online conversations, observes Sreehari Nair.
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