Meeruthiya Gangsters is a decent attempt from a debutant director, says Nishi Tiwari.
'Why is it that we are so forgiving of the glaring problems in grand multi-starrers like Dil Dhadakne Do,' asks Sreehari Nair, 'but when a small film with a truly personal vision seeks our approval, we analyse it through a prism of formal perfection?' 'With its Seinfeldian humour, episodic structure and performers who play off each other's energies, Meeruthiya Gangsters goes farther than most Hindi movies.'
A look at this week's hits and misses.
'What you saw in Gangs Of Wasseypur is only two percent of what really happens. Murder and other crimes are a daily affair even today. There is no value for life. People can shoot someone for Rs two! Once, I was talking to a person. I turned around to ask for tea, and when I looked at him again, someone had shot him dead.' Meeruthiya Gangsters director Zeishan Quadri talks tough.
Want to know what a film is about? Just read the title!
'2015 gave us a set of Hindi films that brought to light, the true uncorrupted joys of filmmaking even in their roughness.' 'Films which told us why we loved films in the first place. Films that were less ashamed of revealing their weakness and ones that took chances with audience expectations.'
Akshay Kumar is King of the box office!
A look at this week's hits and misses.
If Irrfan could have been our finest professor of empirical philosophy, and Nawaz is our foremost poet of that space halfway between the gutter and the stars, then Jaideep Ahlawat has to be our greatest artist-scientist, asserts Sreehari Nair.
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