Ananth Mahadevan takes on the audience.
'I defy all the controversy. For me, it is meaningless. They say the students are unhappy that I have been appointed as the head of FTII. They have not seen my work so how can they be unhappy?' Gajendra Chauhan tries to justify his appointment to head the prestigious Film and Television Institute of India.
'It is time for all Indians to understand the truth that led to a 10-year long bloodbath in Punjab and not attempt to glorify the terrorists under the garb of human rights violations or scratch old wounds,' says Colonel Anil A Athale (retd), on the 30th anniversary of Operation Bluestar.
Here's celebrating Dilip Kumar by re-visiting his best movies.
'I kept telling myself I'd quit after every film. I saw myself in my first Hindi film Kashmir Ki Kali and I didn't like myself. I said, one more film and I'm done. But it continued.' Sharmila Tagore gets candid on her 70th birthday.
'Manto is the only writer to grasp what the project of Pakistan would eventually mean,' says Aakar Patel, who has translated a collection of Saadat Hasan Manto's essays in a just-released book Why I Write.
The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
'When it came to S D Burman, a Guide song was completely different from a Tere Mere Sapne song which was completely different from a Sharmilee song. Except for their quality, there is nothing to link them together.' 'Lata was his ultimate voice. He felt there was nobody like Lata. "Give me a harmonium, give me Lata and I will make music," he said.'
