What does the box office of the movies say?
The hits and misses of the week.
The hits and misses of the week.
Funny how a woman can fall in love with another woman and still need a man to ensure she gets her happy ending, notes Sukanya Verma.
'This mess is an all boo, no show,' says Sukanya Verma.
The hits and misses of the week.
Shahid Kapoor's comic ease and contagious energy are not enough to brighten up this dim-witted slog notes Sukanya Verma.
Judgementall Hai Kya is a wild move but works because of how assured its cast is before and its crew is behind the camera, feels Sukanya Verma.
The difference between watching a movie on a laptop in your apartment and watching it on a big white screen is almost spiritual, notes Sreehari Nair.
Streaming a diverse range of moods and moments, these films are a fairly commendable effort if not always riveting, feels Sukanya Verma.
Yet, Guddu Rangeela never quite soars, says Raja Sen.
'With its fine zingers and feisty acknowledgement, Shubh Mangal Saavdhan does more for sex, both noun and verb, than any Hindi film can claim to in a long, long time,' notes Sukanya Verma.
Ankhon Dekhi's real star is Sanjay Mishra, says Sukanya Verma.
'Wasn't there a single person below 30 in the whole production team? I wondered aloud at different points in the narrative,' notes Sreehari Nair.
'How can you blame poor Kabir Khan for the Tubelight fiasco?' 'We know that his Job Description expects him to work below full capacity, to sell his soul, and we know his SOP-sheet has the title: Design the next Salman Khan Project.' Sreehari Nair sees through Kabir Khan's cunning.
Bhoothnath Returns has a few laughs but it ignores the basics, rants Raja Sen.
'There are enough LGBTQ people in the industry, so I don't feel like a misfit.'
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