Had he not taken his final curtain call on April 23, 1992, Satyajit Ray would still, undoubtedly, have been making movies.
Shatranj Ke Khilari remains an accessible, yet deep period film.
'That night -- when Gandhi won Best Picture at the 1983 Oscars -- belonged to India and it meant a lot to a young student like me, who was trying to establish his Indian identity among the Americans around him.' Aseem Chhabra/Rediff.com, who worked as an extra on Richard Attenborough's acclaimed biopic, salutes the late legend.
From Pakeezah to Ladies vs Ricky Bahl, from Shatranj ki Khilari to Umrao Jaan, the great city of Lucknow has made its way to the wornderful world of Hindi films.
Mitra's stout and vociferous protest to what most see as Tata's meandering and even affectionate critique has taken people by surprise.
Prepping for Sanjay Leela Bhansali's Padmavati, remembering Rajesh Khanna and Raaj Kumar's exclusive tramp club and picking Ranbir Kapoor's best performance in my Super Filmi Week.
The charm of Kolkata is still alive says Sumit Ganguli.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
Shatranj Ke Khilari was Satyajit Ray's first Hindi film. The Master set the Premchand story against the backdrop of the First War of Independence in 1857. Bijoya Ray, his wife, reveals fascinating glimpses behind the making of the epic in this exclusive excerpt from her memoir.
