Seventy years after Pather Panchali released on August 26, 1955, we finally get it. Shuttling between the village of Boral and a studio in Calcutta, caught between worrying about the next purse of funds and wondering which item to mortgage next, Satyajit Ray was explaining Indians to themselves, discovers Sreehari Nair.
'Since Piku, Irrfan seemed content in delighting us with his finesse than striking a nerve.' 'Now, why was this so?' 'Why did our No 1 soul-searching actor suddenly decide that he'd rather be a heart-warmer?' 'Did those journeys take too much out of him?' asks Sreehari Nair.
This piece is a tribute to that corner of film criticism that they call subtextual film criticism.
'The non-cinephiles may hold up Sholay as their personal favourite and the cinephile lot may quote something like 8 1/2 as the movie to load with them on the ark.' 'But for a good percentage of these people from both categories, if there is one film to simply laze around with, a film that can extract them from their dull funk, it's definitely DCH.'
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