The Big Chill is an upmarket cafe in New Delhi's tony Khan Market and that's where Deora wanted to meet. He introduces me to his favourite cake: tiramisu with a generous infusion of Bailey's, the Irish creme liquor. I take a spoonful, recall the reading on the bathroom scales earlier that morning, and resolutely push it aside, writes Aditi Phadnis.
It is a dark legacy bequeathed by Nehru to India. In its DNA lies the subconscious fount of India's schizophrenic geopolitics that forsook in one sweep all its historically-entrenched strategic interests in Tibet in favour of China, says R N Ravi, on the 60th anniversary of the Panchsheel Agreement.
'Peddlers isn't a movie of grand cinematic achievements, but one of small yet startlingly original victories.'
Jo Jeeta Wohi Sikandar masterfully weaves a compelling human story, says Sukanya Verma.
No-Punchline humour reminds us how in our daily lives, we all are by turns 'The Corrupt Politician we criticise,' 'The Chauvinist Male we frown upon,' 'The Rule Breaker we deride through our Facebook posts,' 'The Communal Virus we so easily lampoon' and 'The Bad Artist we spoof.' In a land where the aforesaid prototypes are our major sources of 'funny,' is there an audience for the NPL kind of humour, asks Sreehari Nair.
How do you translate a first love into a profession? How do you become a writer once you set your heart on it? Susmita Bhattacharya, who once worked as a graphic designer in Mumbai, now teaches the basics of English to newcomers to Britain and is also a creative writing tutor. Her first novel The Normal State of Mind was published earlier this year after a grim battle with cancer.
