Although it does not take the same approach as its American counterpart -- which had a lot of suspense -- Parineeti's slow and articulated narration makes it fester like a bad wound, observes Moumita Bhattacharjee.
If only The Girl on the Train was as invested in its potential as it is in Parineeti Chopra's kajal in the film, feels Sukanya Verma.
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Sukanya Verma looks at the recent spate of book-to-screen adaptations.
As means of transport or metaphor, the romance of trains is unmistakable in Hindi cinema.
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