'He has always let us do our own thing but if we ever need anything, he is there with the best advice.'
Despite director Homi Adajania's ease around quirky ensembles and macabre touches, Murder Mubarak fails to draw the viewer into its shallow world of the vain and wealthy, feels Sukanya Verma.
A feeble fable masquerading as a robo rom-com, Teri Baaton Mein Aisa Uljha Jiya aspires to address what unrealistic expectations in a relationship can lead to, observes Sukanya Verma.
Fighting prejudice with prejudice, Ujda Chaman is too shallow to dwell compellingly into the frailties of the human mind, feels Sukanya Verma.
Joginder Tuteja looks at the actresses, who waited patiently, and will now release their films in theatres this year.
'Jai Ho! Democracy is a hasty uptake of news channels and papers drawn into a skit that's too short on subtext to be a realised satire and too silly to be taken seriously', writes Sukanya Verma.
Karenjit Kaur: The Untold Story of Sunny Leoneis too boring to celebrate her, too dull to criticise, says Sukanya Verma.
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