Vrusshabha feels like a ChatGPT prompt gone wrong, where the lazy ask for a sure-shot 'Pan Indian' blockbuster formula gives us a flimsy period epic in the guise of an incompetently drawn 'reincarnation drama', observes Arjun Menon.
'Mohanlal and I have done all kinds of films together but we have never done a sports film.'
The Deol girls bond... Keerty's movie releases on Thursday...Nargis and Radhika have gyaan for us...
Director Priyadarshan's Malayalam film Marakkar: Arabikadalinte Simham was declared the Best Feature Film.
Joginder Tuteja points us to the busiest actresses down south.
'We should focus on creating cinema which is entertaining, gives us solace, some message, reduces our tension and makes us think positively.'
The film bears its weight largely on Mohanlal's shoulders who mostly looks tired and old as he delivers his flat, unmemorable lines trying to look passionate, observes Divya Nair.
'Once Mohanlal's ever-swelling entourage grasped his enormous worth, once it realized that the innate Mohanlal appeal could be profited from, it set about to exploit, to make uproars, to create the Mohanlal brand.' 'And he wasn't meant to be a brand. He was meant to be an artist, a tireless explorer of the unique seas inside him,' asserts Sreehari Nair.
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