At every juncture, I warmed up to him. As much as I appreciated his bounce and beam as the flamboyant icon of the 1960s, I was endeared by Shammi's cuddly frame as an benevolent grand/fatherly/ figure in later films like Yeh Vaada Raha, Aur Pyaar Ho Gaya, Ajooba or Chamatkar.
He embraced both roles with such tremendous grace, carving a new niche and identity for himself, every single time.
Gradually, I watched a whole lot of his films like Teesri Manzil, Kashmir Ki Kali, Junglee, Rajkumar, Prince, Brahmachari, Boyfriend, Andaz and so on; discovering different facets to his personality.
The romantic. The hotstepper. The clown. The style icon. The rebel. The dude. The joy.
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