Despite the mediocrity at large, these films had me in raptures for the emotions they evoked within as a cheering audience, critic and cinephile.
Despite director Homi Adajania's ease around quirky ensembles and macabre touches, Murder Mubarak fails to draw the viewer into its shallow world of the vain and wealthy, feels Sukanya Verma.
Pratik Gandhi's emotional range makes him a treat to watch while Vidya is as wild as she's wise, observes Sukanya Verma.
'What happened to Raj and Simran after running away on the train at the end of DDLJ 20 years later? Have they become flatmates instead of lovers? What happens when the initial chemistry has worn off and love becomes a habit? This has always fascinated me.'
What was meant to be a toast to life and its many gifts suddenly became Sushant Singh Rajput's last hurrah, a this-is-it, a tearful goodbye, feels Sukanya Verma.
The film flaunts Bindu as some sort of a free-spirited bohemian when she's really this unlikable, untrustworthy, selfish, vain, flighty opportunist sweet-talking Abhimanyu into catering to her needs all the time, feels Sukanya Verma.
© 2026 Rediff.com - Investor Information - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances