We do not whistle for Hathiram Chaudhary. And yet the bond we feel towards him is spontaneous, almost effortless. This is because he shares something of our too-ideal dreams, our wry acceptance of our limitations, our useful frustrations, and our pointless sprints, explains Sreehari Nair.
Every film that Sriram Raghavan makes is a compendium of ideas and sensations that tickle him. Trying to remake a Sriram Raghavan film is like getting excited by somebody else's goosebumps, observes Sreehari Nair.
These are the television shows that will crackle and pop a lot longer than anything you'll get your paws on.
Sreehari Nair lists some movies, documentaries, recorded-performance films, and literature and music suggestions that might help.
'The overarching fact of modern social behaviour isn't that we are irresponsible women and men, but that we are never quite sure, when and how to act responsibly.' 'This is the real side of every Twitter outrage, where those who tweet about stories of 'unreported domestic abuse' end up feeling superior to those neighbours who are summoned up as clueless witnesses.' 'This view of the supposed spiritual decay of our times, which is at the core of Gali Guleiyan, is thus more fashionable than perceptive,' says Sreehari Nair.
'The more I lived in India, the more I realised that America was my home too.'
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