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Ram Lakhan: Where good wins over evil
Abhilash Tulasi | October 21, 2003 13:59 IST
Almost all of Subhash Ghai's earlier subjects were about defining the good and the bad, followed by the inevitable victory of the former over the latter.
Though Karma comes close, it is Ram Lakhan that fits this definition perfectly. Ram Lakhan is easily his best work because of its interesting story, endearing narration, vibrant performances, flawless direction and superior screenplay.
Though the basic premise of the story is 'inspired' from the blockbuster Deewar, the film clicked with the audiences and became a huge hit because of its refreshing presentation.
The story is about a woman (Rakhee) who becomes a victim of her husband's (Dalip Tahil) evil cousin's (Amrish Puri) evil deeds. Her husband is killed and she is thrown out of the haveli, stranded on the streets with her two boys, Ram and Lakhan. Instead of giving up, she vows revenge. How her children become the instruments of her vengeance forms the crux of the plot.
The character sketch of the film is a craftsman's work. Every character is earthy, natural, and offers entertainment value.
Jackie Shroff as Ram is the perfect depiction of 'good'.
Anil Kapoor as Lakhan gets to perform various shades. He carries off the huge responsibility with sincerity and succeeds. Not once does he let Lakhan down.
Madhuri Dixit oozes freshness as she adorns the project with her bewitching looks, gracious dances and a down-to-earth portrayal of Radha.
Rakhee leads the mission with conviction.
Other cast members like Dimple Kapadia, Saeed Jaffery, Amrish Puri, Anu Kapoor, Gulshan Grover, Raza Murad and the sexy Sonika Gill, who plays Vivian, lend adequate support. Special mention must be made of the comic duo, Anupam Kher and Satish Kaushik, who keep charming the viewers throughout.
The music (by Laxmikant-Pyarelal) is part of the script and provides ample support to the narration.
The melodious Mere do anmol ratan keeps playing in the background throughout the initial part of the film. One two ka four introduces the grown-up Lakhan and also defines his character to a great extent.
Tera naam liya is extremely melodious and romantic. The songs O Ramji and Bekadar bekhabar accompanied by the dances rendered by Radha provide a classy touch.
Some of the scenes and situations that stand out because of their intelligent handling: