KPAC Lalitha's specialty was evoking on screen people that the audience felt they knew intimately, and evoking them through telling details that tore down the boundary between the audience and the performer, observes Sreehari Nair.
Pattammal had a very classical way of singing without any frills but her music was full of depth. They were technically intricate but she handled them with ease. She did not innovate too much and sang a lot of Tamil compositions. Her repertoire of Muthiswami Dikshitar songs was amazing. She was a goldmine of information on Dikshitar. Every year, she used to come out with a new one, recalls Lakshmi Viswanathan, well-known dancer and author
A Nedumudi Venu character was happiest when moving his head to a piece of music with his eyes closed; or, when inventing off of a note that a co-actor had left unfinished; or, when reciting a poem by Kavalam Narayana Panicker where a hymn about nature descends into a musing about cheating, depression and death, feels Sreehari Nair.
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