Considering the Hindi film industry's indiscriminating approach towards international artists, Rahat, too, managed a good deal with mystical and philosophy-brooding style.
Although brief, his body of work is studded with memorable, evocative chartbusters like Jiya Dhadak (Kalyug), Naina (Omkara), Bol Na Halke (Jhoom Barabar Jhoom), Jag Soona Soona (Om Shanti Om), Teri Ore (Singh is Kinng), Aji Din Chadheye (Love Aaj Kal), Sajda (My Name is Khan), Dil Toh Bachcha Hai Ji (Ishqiya), Tum Jo Aaye (Once Upon a Time in Mumbaai), Tere Mast Mast Do Nain (Dabangg) and Aas Paas Khuda (Anjaana Anjaani).
He's worked with the best of Bollywood banners and composers ranging from Vishal Bhardwaj to Pritam in a span of seven years and was recently awarded the Filmfare trophy was Best Male Singer for Ishqiya's infectiously catchy, Dil Toh Bachcha Hai Ji.
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