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How Does Agneepath Music Compare With Original?

Last updated on: January 6, 2012 18:11 IST

How Does Agneepath Music Compare With Original?

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Sukanya Verma in Mumbai

Remakes come with a certain baggage.

Of, at any rate, matching the standards and aesthetics if not beating the impact of the original. After Shah Rukh Khan in Farhan Akhtar's Don, it's Hrithik Roshan's turn in Karan Johar's Agneepath to forge a new introduction of an iconic character played by Amitabh Bachchan.

Directed by newbie Karan Malhotra, the earlier Vijay Dinanath Chauhan vehicle was, again, a Dharma Production but not a big commercial success, something K Jo aspires to remedy with the revision. The makers have tweaked the storyline of late filmmaker Mukul Anand's intense revenge drama to render the new one co-starring Rishi Kapoor, Sanjay Dutt, Priyanka Chopra and Zarina Wahab a more dramatic, stylized appeal.

Only unlike Don, wherein Shankar-Ehsaan-Loy's compositions channeled Kalyanji-Anandji's soundtrack, to the point of remixing two of its most popular songs -- Khaike paan benares and Yeh mera dil, Agneepath offers a brand new sound.

Let's see how Ajay-Atul's tunes compare to the Laxmikant-Pyarelal-helmed predecessor by examining individual tracks of each:

Alibaba mil gaya chalees choron se

Bangladeshi pop sensation Runa Laila despite her best attempts, fails to create a foot-tapping sensation out of Ali baba, a loud party song with overwhelming, conflicting arrangement and blaring chorus that tries really hard to recreate what Alisha Chinai achieved with the Hero/Zero number in Ram Lakhan, also scored by L-P.

The latter eventually made up for the lack of a knockout item song in Agneepath by ripping off Mory Kante's Yeke yeke to concoct Jumma chumma de de. While memorable this song isn't, watching Archana Puran Singh in Madonna's Like a Virgin-inspired get-up, shaking a leg with Shakti Kapoor (in a cameo) even as Goga Kapoor and Bob Christo make merry in a swank swimming pool while Big B and Danny Denzongpa sternly look on like gods in glam goggles?

Most amusing.



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Chikni Chameli

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The same situation gives the latest Agneepath an excuse to insert a no-holds barred item ditty.

And that explains Chikni Chameli, a rambunctious pick from Ajay-Atul's own stock, originally Kombadi Palali (from Marathi film Jatra), this song's super-hit appeal continues to make a connect in Shreya Ghosal's oomph dripping voice, even more so since Katrina Kaif decided to show her bawdy side as the Chikni in question.


Image: The Chikni Chameli song


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Ganpati apne gaon chalein

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Ganpati apne gaon chalein, with its noticeably late 1980s dhina-dhin-dha feel, hits an exultant note under Sudesh Bhosle, Kavita Krishnamurthy and Anupama Deshpande's vocal flamboyance to convey the festive mood.

It's one of those typical 'basti' songs exhibiting community camaraderie that underlines Big B's return to faith while co-stars Mithun Chakraborty and Neelam fill the backdrop with their colourful moves.

In the meantime, Danny's Kancha Cheena is busy getting himself freed of all charges by gunning down every possible witness.

Image: The Ganpati apne gaon chalein song


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Deva Shree Ganesha

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The unmistakable frenzy that hits the streets of Mumbai during Ganesh Chaturthi is resonated in the adaptation as well.

The high-strung energy and devotional fervor of singer Ajay's dynamic rendition, especially when he arrives to its concluding verse, has quite a stirring impact.

Image: A scene from Agneepath


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Disco Nariyal

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The original featured Mithun Chakraborty's loud but comic portrayal of a coconut-water selling graduate turned Vijay Chauhan's aide.

And part of his introduction was breaking into an impromptu 'Disco nariyal' at a discotheque to embarrass Neelam and himself in a red ganji and belt over a white shirt and lungi.

It's as farcical as it gets but, back in the day, S P Balasubramaniam and his inimitable ability to make anything amusing worked in its favour.

Image: The Disco Nariyal song


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Gun gun guna

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Guess there's no replacement for Mithunda.

Probably why Karan Johar has done away with Krishnan Iyer's character altogether.

In its place you have a Priyanka Chopra trying out various antics to cheer a downcast Hrithik Roshan with the breezy Gun gun guna, performed  by Sunidhi Chauhan and Udit Narayan in their perky best avatars.


Image: A scene from Agneepath


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Kisko tha pata kisko thi khabar

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In Mukul Anand's version, Mithun was assigned the dual responsibility of comedy and romance.

He fulfills the latter by prancing around his doll-faced co-star against stunning backdrops of Hampi and various other locations of Karnataka to the beats of a run-of-the-mill LP duet rendered by SP Balasubramaniam and Alka Yagnik.

And acquires a new wardrobe, read trousers, too. What's odd is how Bachchan's car mysteriously lands in the middle of this dream sequence to spot his kid sister and odd-dressing employee engaged in a obvious rendezvous.

Image: The Kisko tha pata kisko thi khabar song


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O Saiyyan

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In complete contrast, there's Roop Kumar Rathod's rich, compelling baritone conveying the anxiety and eagerness of Hrithik and Priyanka's affections again in all earnestness.

While the original did not focuss too much on Big B and Madhavi's romance nor did it feel the need to explain the same with some elaborate song, the remake deems it as a crucial link to the story and its principal character. 


Image: A scene from Agneepath


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Agneepath recital

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Agneepath strategically opens and dramatically ends with the Chauhans -- Dinanath and later Vijay Dinanath reciting the ethics and philosophy of Dr Harivanshrai Bachchan's original poem.

Though it doesn't qualify as a composition, it's easily one of the best-remembered aspects of the film that earned AB a National Award trophy.


Image: A scene from Agneepath


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Shah ka rutba

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Ajay-Atul compose an additional pair of songs for the adaptation, Shah ka rutba, a extensive semi-qawaali and Abhi mujh mein, a melancholic reflection over life's many challenges.

While Dharma Productions is yet to release the video, it will be interesting to see whether these tracks contribute or obstruct the flow of an incensed tale of resentment and retribution.

While the new Agneepath is decidedly a better soundtrack, it hardly makes for a half-the-battle-won scenario. It will take substantial blood, bluster and baritone to substitute the original's memories, or at least co-exist with the same, to achieve that. 


Image: A scene from Agneepath

Tags: Ajay-Atul

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