In this special series, Dinesh Raheja explores prominent music duos, and the dynamics that went into the making, and the unmaking.
'At a time when there was little awareness of world music, playing western tunes on eastern instruments like the flute and the dholak, blending vocal polyphony with Indian folk and contemporary styles, Salilkaku created a new musical genre in Bengal called Gana Sangeet.'
Was this indeed the Lata who had started out with her, as a child star, in Badi Maa (1945)? Raju Bharatan recalls yet another memorable incident from Lata Mangeshkar's incredible life.
'Laxmi was insistent that our homes should never have name-plates, because the name Laxmikant-Pyarelal should never be separated!'
'Mulk questions the very principle, of good-Muslim exceptionalism.' 'That, of course, we adore Abdul Hamid, A P J Abdul Kalam and Bismillah Khan and if only more Muslims were like them.' 'Anubhav Sinha sticks his neck out to say that these are no exceptions.' 'Most Muslims are like them. It is the terrorists who are exceptions,' says Shekhar Gupta.
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