'Nana left Mumbai, its luxuries and all the roles he could have played, and moved to Pune, where he lived like a farmer.'
'I had narrated a script to Nana Patekar, and four days before the end, he told me that once he returned from Goa, he would take the project forward. I still can't believe he is never coming back. He was always so fit, proudly flexing his muscles and urging me to work out.'
'Very few people are fortunate to make such a quick and quiet exit from the world. He would have been miserable in a hospital.'
'I'm an 'industry child' and my parents were both extremely successful in the same film industry. Yet, they were helpless to ensure my success.'
On Uttam Kumar's birth centenary, actor Prosenjit Chatterjee shares intimate memories of the Bengali matinee idol, recounting how 'Uttam-jethu' not only launched his career but also profoundly influenced his father, Biswajit Chatterjee, and remained a guiding force for their family.
One of the finest minds in theatre, besides being an exceptional actor and filmmaker. She showed me just how much I still had to learn and understand.'
'My fans don't mind me hamming.'
'Heroes get private chartered planes while we don't even make as much money. Unfortunately, that discrimination still exits.'
'Producers were ready to pay me obscene amounts of money because after Rangeela, they thought if they took A R Rahman and Ahmed Khan, the film would be a hit.' 'There were no imported cars then, no mobile phones or online shopping, no house to run or any big kharcha. I was rocking!'
'Without sugar coating things, I could tell Akshay (Kumar) and Rajpal (Yadav) aisa mat kar (don't do that), remind Anna (Suniel Shetty) that it was a just a 'back' shot and point out to Paresh (Rawal) bhai that since he was not in focus, so he didn't have to give too many expressions.'
'I can feel people around me thinking that this guy was about to die, and now he's back.'
'Horror keeps me safe. When I tried to do something else and abandoned the spirits, I landed up in prison.'
'She brought to life every song she sang, whether it was a soft, romantic track, a swinging, cabaret number or a heart-wrenching song.' 'There were so many emotions in her voice, so many variations.'
'(Mahesh) Bhattsaab had wisely recommended him for the lead role, but I was young and stubborn then, and would instinctively push back against a producer's suggestion. I insisted on casting Shiney Ahuja as Daya Shankar. While he was excellent, in retrospect, I realise Irrfan would have taken the character to a different level altogether.'
'She was the last of the diggaj kalakaars after Lataji, Kishoreda, Rafi saab and Mannada and with her demise, the golden era of Hindi film music has truly ended.'
'Once when he was on a flight, the plane hit an air-pocket.' 'The turbulence outside caused it to see-saw violently which caused a lot of panic inside. While his co-passengers were crying and praying for their lives, Salil kaku was writing a song in his head.'
Late one evening, strolling around Mehboob Studio's car park, he was darkly introspective, admitting that marriage had been on his mind a few years ago. But despite his anger and tears, his possessiveness and wisdom, the person had moved away and he had let them go.
As the year draws to a close, Rediff's Senior Contributor Roshmila Bhattacharya takes a look at the hits and misses, the highs and lows, the newsmakers and the dealbreakers in alphabetical order.
'When I met him on the Bigg Boss set, he greeted me in the same way that he would during Dabangg, 'Aur Chedi Singh, kaise ho?''
