Hailed as one of the finest filmmakers of his time, K Balachander, who passed into the ages on December 23, has left behind a rich legacy of hard-hitting films, some of which have been routinely credited with redefining Tamil cinema.
The film is an ideal festival fare.
The stars have sleep-walked through their roles resulting in a bad film.
Pavithra Srinivasan feels the music of Tamil film Kadal offers a truly beautiful listening experience.
It is an interesting film shot at a wonderful location. A must-watch.
Pavithra Srinivasan feels that Tamil film Needhane En Ponvasantham isn't as good as director Gautham Menon's previous films.
Viswaroopam's songs manage to convey a plethora of emotions, beautifully sometimes, a little faltering in other places. On the whole,
The real hero of the film is its director Balaji Tharaneetharan.
Neer Paravai is a beautiful record of the lives of a community, their hopes and dreams, and the harsh reality of their lives.
Even though its heart is in the right place, too much melodrama brings Tamil film Ammavin Kaipesi down.
despite Varu's great performance,the film ends in a disappointing fashion.
Aarohanam tells the tale of a woman's struggle with bi-polar disorder.
Thuppakki's music is a rehash of Jeyaraj's earlier tunes.
Despite a great cast, it doesn't capitalise on its strengths.
Pavithra Srinivasan feels that Thandavam is a let down.
Comedy is the flavour of the season right now, and Vendhar Movies' Paagan seems to have taken advantage of it.
The album may not be scintillating, but it's a pleasant listen.
Tamil film Mugamoodi has all the makings of a successful film but ends up disappointing, writes Pavithra Srinivasan.
The film is worthy of becoming a cult classic.
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