rediff.com

NewsApp (Free)

Read news as it happens
Download NewsApp

Available on  

Rediff News  All News 
Rediff.com  » Movies » You Know You're Watching A Subhash Ghai Film When...

You Know You're Watching A Subhash Ghai Film When...

Last updated on: April 25, 2014 08:32 IST

You Know You're Watching A Subhash Ghai Film When...

     Next

Next
Sukanya Verma/Rediff.com

...It stars Subhash Ghai!

And then, there're these...

When a filmmaker is as prolific as Subhash Ghai, he develops quite a few signature traits over the years.

If Yash Chopra’s romances are synonymous with Swiss flower fields and white-clad heroine and Rakesh Roshan harbours a keen K fixation, Ghai’s penchant for flamboyance and theatrics is reflected in all his creations.

From Kalicharan to Kaanchi, the director of mega blockbusters and star-studded entertainers may not have rocked the box office in a very long time but his fondness for certain filmmaking elements, props and plot devices is recurring in nearly all his movies.

Here are 12 things we’ve come to expect from a Subhash Ghai creation:

Main Bhi Hitchcock!

Subhash Ghai began his career wanting to be a hero but found success making one.

Still, the deep-rooted acting bug urged him to pitch in cameo appearances in many of his films, like the legendary Alfred Hitchcock -- as a random fella on the road popping up from nowhere to sing Ding Dong in Hero or bumping into Aishwarya Rai at a vegetable market in Taal.

Please click Next to see more.


Image: Subhash Ghai in Hero (top) and Taal (bottom), with Aishwarya Rai


     Next

M's the word!

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

What do Meenakshi Seshadri, Madhuri Dixit, Manisha Koirala, Mahima Chaudhry and, now hopefully, Mishti have in common?

Their name begins with M and they all found success under Ghai’s Mukta Arts banner.

Ghai’s serious fixation with the letter is responsible for Mahima, originally Ritu, changing her name while Mishti, originally Indrani Chakraborty, uses her pet name for her big debut.


Image: Top: Meenakshi Sheshadri in Hero, Mahima Chaudhry in Pardes. Bottom: Madhuri Dixit in Ram Lakhan and Manisha Koirala in Saudagar


Prev     Next

Desi girls

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

Speaking of Ghai’s heroines, they’re as shuddh desi as it comes.

Adept in classical dancing, dressed in ethnic attire, typically naive belles with traditional names like Durga, Ganga, Geeta, Mansi, Lakshmi and, not to forget, his eternal favourite -- Radha.


Image: Top: Meenakshi Sheshadri in Hero, Isha Sharvani in Kisna. Bottom: Sridevi in Karma and Madhuri Dixit in Ram Lakhan


Prev     Next

She's got the look

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

If Raj Kapoor and Yash Chopra loved to dress their heroine in dreamy white chiffon, Ghai seems to have a thing for this intense covered head look.

See the pattern here?


Image: Top: Tina Munim in Karz, Madhuri Dixit in Khalnayak. Middle: Raakhee in Ram Lakhan and Manisha Koirala in Saudagar. Bottom: Aishwarya Rai in Taal and Mishti in Kaanchi

Tags: Ghai

Prev     Next

One-word titles

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

His films are relatively long, characters are verbose but when it comes to naming them, Ghai likes to keep it pithy and striking -- Saudagar, Hero, Kroadhi, Vidhaata, Vishwanath, Kalicharan, Yuvraaj, Taal, Saudagar, Khalnayak, Karma, Karz, Yaadein, Kisna, Pardes and Kaanchi.

At most he’ll accommodate one more word – Ram Lakhan, Gautam Govinda, Meri Jung or Black & White.


Image: Posters of Hero, Taal, Saugadar, Karma, Vidhaata, Kalicharan, Yaadein, Khalnayak and Pardes

Tags:

Prev     Next

Hill-ho!

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

Whether it’s the serenity or lushness of mountainous landscapes that attracts him but it’s quite easily one of Ghai’s favourite backdrops.

Be it Saudagar, Taal or Kaanchi, the man somehow finds a way to squeeze in a song or character based in the hills for his pictures.


Image: Scenes from Kaanchi, Taal, Yaadein, Hero and Karma

Tags: Kaanchi

Prev     Next

Mere paas Maa hai

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

Wronged, traumatised and haunted by horrors of a past tragedy, the mother is regularly the emotional core of his grand spectacles.

Remember Nutan’s dazed maa in Meri Jung/ mute maa in Karma, Raakhee’s avenging maa in Ram Lakhan/morose maa in Khalnayak, Durga Khote’s melodramatic maa in Karz or Deepti Naval’s submissive maa in Saudagar or Priya Tendulkar in their most hysterical combination for the Ghai-produced Trimurti?


Image: Top: Nutan in Meri Jung, Raakhee in Ram Lakhan. Bottom: Deepti Naval in Saudagar, Durga Khote in Karz


Prev     Next

Cops & Crooks

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

Men in khakhi sparring with men behind bars, is another favourite theme of Ghai’s.

Be it Dilip Kumar’s jailor giving Anupam Kher’s Dr Dang a resonant dose in prison in Karma, Sanjeev Kumar’s comical antics as cop around criminals in Hero, Jackie Shroff and Sanjay Dutt’s law versus outlaw face-off in Khalnayak, Anil Kapoor’s one two ka four approach as inspector in Ram Lakhan or Shatughan Sinha’s dual avatar as inspector and offender in Kalicharan, Ghai sure loves a game of chor police.


Image: Scenes from Ram Lakhan, Kalicharan, Karma and Hero

Tags:

Prev     Next

Let's get musical

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

That Ghai has a fine ear for music is evident in most of his soundtracks. But have you noticed how he loves to create characters who can skilfully play an instrument or two.

And so Anil Kapoor tosses his lawyer’s suit to get behind a piano or beat the dafli like a PRO in Ram Lakhan, Rishi Kapoor juggles between the iconic guitar play and violin in Karz, Jackie Shroff plays the haunting Hero tune on his flute, Katrina Kaif turns cello expert in Yuvvraaj and Shah Rukh Khan strums the strings for Pardes.


Image: Scenes from Hero, Yuvraaj, Ram Lakhan, Pardes, Meri Jung and Karz


Prev     Next

Lights, camera, showmanship!

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

There’s a reason why Subhash Ghai held the title of showman for many years.

His opulent, larger-than-life picturisations of song and dance, frequently on the stage, unabashedly honour Bollywood’s enduring imagery of razzle-dazzle.


Image: Scenes from Yuvraaj, Karz, Taal and Meri Jung


Prev     Next

The Chandelier syndrome

Prev     Next
Prev

Next
Sukanya Verma/Rediff.com

The first requirement of grandeur in Subhash Ghai’s book -- a sparkling chandelier looming large in the frame lending it obvious splendour and scale.

If you notice hard enough, you’ll see one in nearly all his movies.

We spotted one in his first -- Kalicharan.

We spotted one in his latest -- Kaanchi.


Image: Scenes from Khalnayak, Ram Lakhan, Kaanchi and Kalicharan


Prev     Next

Sunset Ghai!

Prev     More
Prev

More
Sukanya Verma/Rediff.com

Having worked with cinematographers like Kamlakar Rao, Ashok Mehta and Kabir Lal in over four-decades long career, Ghai’s films are stunning to look at.

While his cameraman’s sensibilities may vary from project to project, they’ve all captured the director’s fondness for shots of glorious, golden sunsets or silhouettes against them in all his ventures, including Kaanchi.

You just can’t miss it.


Image: Scenes from Pardes, Karz, Taal, Kaanchi, Hero and Meri Jung


Prev     More
 

Top Videos

See all