Her sleek fashion is totally aristocratic.
Some girls plan their Valentine's Day look a month in advance, some pick whatever's clean, and some dress like they're about to walk a runway.
Some girls plan their Valentine's Day look a month in advance, some pick whatever's clean, and some dress like they're about to walk a runway.
Her style is relatable, versatile and very camera-friendly.
Trisha's on-screen fashion is rather extravagant, true to her royal character. Off-screen she has a friendly, girl-next-door style, who will woo you with her traditional Chennai silk saris and modern glamour.
These women never not impress no matter what they wear.
Girish AD doesn't make romantic comedies so much as he elevates the genre, observes Sreehari Nair.
Subhash K Jha celebrates Dhanush's birthday on July 28 by picking five of his favourite Dhanush movies.
Over Dosas in Mumbai, Oscar winner Megan Mylan tells Vaihayasi Pande Daniel why she chose India and girls empowerment as the subject of her new documentary.
Sukanya Verma takes us inside 10 of her all-time favourite movie homes.
Presenting this year's most stylish looks ever.
'Being called 'hot' was getting offensive after a point. I refused to play a hot girl and take the typical route in Queen,' Lisa Haydon tells Rajul Hegde.
Ranbir's daku aspirations, Alia's magical transformation, Aishwarya's mommy love and more in Sukanya Verma's Super Filmi Week.
Gerson da Cunha lists his favourite films from the recently concluded Cannes International Film Festival.
Shanoo Sharma -- the woman responsible for launching the careers of Ranveer Singh, Arjun Kapoor, Vaani Kapoor, Bhumi Pednekar and Alia Bhatt among others -- tells Ronjita Kulkarni/Rediff.com what casting is all about.
If I were to review it in one word, I'd say Ek Villain is... Unnecessary, writes Raja Sen.
Khoobsurat offers up the expected -- only it does so with a smirk, says Raja Sen.
'2015 gave us a set of Hindi films that brought to light, the true uncorrupted joys of filmmaking even in their roughness.' 'Films which told us why we loved films in the first place. Films that were less ashamed of revealing their weakness and ones that took chances with audience expectations.'
...But a comedy about Class Wars. Sreehari Nair tells us why.
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