Tamannaah Bhatia is set to portray actress Jayashree in the upcoming biopic on legendary filmmaker V Shantaram, starring Siddhant Chaturvedi.
The makers on Tuesday unveiled a poster revealing Tamannaah's look in the film.
Draped in a pink Nauvari saree, Tamannaah showcases Jayashree's timeless elegance, the celebrated actress known for her memorable roles in films like Dr Kotnis Ki Amar Kahani, Shakuntala, Chandra Rao More and Dahej.
Jayashree was also V Shantaram's second wife.
Does Tamannaah Look Like Jayashree? VOTE
V Shantaram is a historical biographical drama that honours the life, spirit and cinematic uprising of one of India's most visionary storytellers, according to the press release.
The film traces his remarkable journey from the silent era to his emergence as one of the most influential auteurs in Indian cinematic history.
Speaking about the film, Tamannaah said in a statement, 'It's a great responsibility to portray a character rooted in one of the most influential eras of our cinema. I feel immensely honoured to bring Jayashree to life, as she has been part of such legendary projects, and the grace she had was surreal.
'Shantaram built a legacy that continues to shape generations, and decoding his universe has allowed me to witness the brilliance of the man behind the legend. Bringing a piece of that legacy to the screen is truly a special feeling, and I am thankful for the makers of V Shantaram to see me as Jayashree.'
Earlier, the makers announced that Siddhant Chaturvedi will play V Shantaram.
Does Siddhant Look Like V Shantaram? VOTE
Presented by Rajkamal Enterttainment, Camera Take Films and Roaring Rivers Production, V Shantaram is produced by Rahul Kiran Shantaram, Subhash Kale and Sarita Ashwin Varde and directed by Abhijeet Shirish Despande.
V Shantaram, born Shantaram Rajaram Vankudre in 1901, was a pioneering force in Indian cinema whose career spanned nearly seven decades. He founded two major film studios -- Prabhat Film Company in 1929 and Rajkamal Kalamandir in 1942 -- and directed the first Marathi-language talkie, Ayodhyecha Raja, in 1932.
His films, including classics like Duniya Na Mane (1937), Do Aankhen Barah Haath (1957), Jhanak Jhanak Payal Baaje (1955) and Navrang (1959), were celebrated for their technical innovations and progressive social themes addressing issues like communal harmony, dowry, and prisoner rehabilitation.
Known for his signature style of lavish sets, unique song picturisations, and visual symbolism -- he used cinema as an instrument for social change throughout his career. He received India's highest film honour, the Dadasaheb Phalke Award, in 1985.
Photographs curated by Satish Bodas/Rediff
