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Home > Movies > First Look

Deepa Mehta's Water wows Toronto fest

John Abraham, Seema Biswas, Deepa Mehta, Sarala and Lisa RayJohnny Depp is, by all accounts,the most eagerly awaited star at the 30th Toronto International film Festival. But on the opening night on September 8, it was director Deepa Mehta (centre, in pic) who stole the show with her movie, Water, which inaugurated the film festival.
Water, starring John Abraham (left) and Lisa Ray (right),is about the ill treatment of widows in the 1930s. It was initially supposed to star Shabana Azmi and Nandita Das, but the shooting in the temple town of Varanasiwasabandoned five years ago following agitations by conservatives who did not want it to be shot there.
At TIFF --the film festival considered to be the world's most important one, following Cannes --the limelight was all on Mehta.
She is hailed not only making what Salman Rushdie says is a film 'unforgettably touching the heart' but also for not giving up her soul to the fundamentalists. Five-year-old pictures of the protestors burning her effigies in Varanasi are being published again in widely circulated newspapers like Toronto Star.
Some of the fundamentalists in Toronto and US cities began offering her 'friendly advice,' in recent weeks, she says. They suggested that the film should not be screened here because Americans and Canadians do not understand the complexities of Indian traditions.
The influential Globe and Mail gave it three stars (out of four) and hailed it for its humanism and insights into the souls of its troubled characters. The two publicationsalso had more than full-page to interviews with Mehta.
Mehta, who made the film almost secretly in Sri Lanka, has given the filma bleak and urgent look. And she has not hesitated to make it as bold and threatening (to the establishment) as she had envisaged it five years ago. There are several beautiful and exhilarating moments in the film that stars a surprisingly solid Abraham as an idealist lawyer, Seema Biswas as a woman with a conscience, Ray asa rebellious widowand newcomer Sarala.
But Mehta has eschewed the conventional happy ending, and packed the film withthe heart-wrenching scene of sexual abuse of a child. And she has done so without any melodrama, thus making the aftermath scenes even more shocking and startling in their conclusion.
As she continues doing the interviews, Mehta, whose film will be released in America by Fox Searchlight over a month from now, is sending a messageto people of goodwill to see her film and see that the fundamentalist forces are morally defeated by their support.
At the end of the film, Mehta wants the viewers not only to go home having seen a fine, touching film but also remember the millions of widows in India today. They may not live in a segregated house as in the film orpressed into prostitutionas the leading character in the movie, but nonetheless, they deserve homes and families of their own, is the filmmaker's message.
Photograph: Getty Images

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Number of User Comments: 23




Sub: who is exploiting whom?

I don\'t really know whom to pity- Deepa Mehta or the widows? I very well agree with the condition of the widows, although not as ...


Posted by the_thinker17





Sub: blame others!!!

I read a lot of comments saying this is all for foreigners and everything is foreign funded and stuff like that.... I think the problem ...


Posted by moninger





Sub: Deepa Mehta's Water

The courage Deepa shows in her films,to expose the evils of Indian society,is commendable. India, being an economic giant,still has long way to go in ...


Posted by Ranjan Chowdhury





Sub: Who is it made for?

It looks as if Mehta is one of those bleeding heart "secularists". It would not have looked so suspicious if a resident Indian made a ...


Posted by AX





Sub: Water

Finally, a brave effort for showing the real plight of widows in by an INDIAN. Not to remind everybody that the person responsible for banning ...


Posted by DS




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