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Birthday Special: Asha Bhosle's 80 UNFORGETTABLE songs

Last updated on: September 09, 2013 16:55 IST

Birthday Special: Asha Bhosle's 80 UNFORGETTABLE songs

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Sukanya Verma in Mumbai

Asha Bhosle, who turned 80 on September 8, has sung an admirable number of the finest Hindi film songs in her long and illustrious career. Take a  look.

H
er voice reminds me of tiramisu.

Rich, moist, potent, silky and sublime, just like the delicious Italian dessert (which quite literally means pick-me-up) Asha Bhosle’s exquisite rendition impacts the soul of her listeners in equal measure.

The little girl who would climb up the branch of a tree to escape her mother’s scolding hardly realised how her impish temperament would someday breathe life into songs and turn them into sensations.

In a career spanning over half a century filled with music and milestones, one of India’s most loved singers has battled many a personal crisis but never lost either her magic or her masti.

On her 80th birthday, I wish her the same happiness in life that her songs have brought to mine and celebrate this milestone with 80 of my most favourite Asha Bhosle songs.

1. Mud mud ke na dekh, Shree 420 (1955): This lilting Shankar Jaikishen creation drew attention to Asha’s poise.

2.  Chanda mama door ke, Vachan (1955): A childhood favourite, it’s amazing just how many generations have grown up enjoying her mellifluous narration.

3. Eena meena deeka, Aasha (1957): Aasha is a frolicking rom-com, best remembered for Kishore Kumar and Asha Bhosle taking turns to alternately amuse with the smash, breathless gibberish jabber, Eena meena deeka.

4. Chhod do aanchal, Paying Guest (1957): There’s such ada in her infectious *Aah* chhod do, it’s impossible to let go.

5. Maang ke saath tumhara, Naye Daur (1957): The singer teams up with Mohammad Rafi to exude village belle-next-door sweetness against the rhythmic beats of a galloping horse.

6. Haal kaisa hai janaab ka, Chalti Ka Naam Gaadi (1958): Few singers can compliment the quirk of Kishore Kumar like Asha. And the sprightly duet Haal kaisa hai jaanab bears testimony to this fact.

7. Ek pardesi mera dil le gaya, Phagun (1958): The sheer exuberance of her delivery matches the determination of the snake charmer’s ubiquitous instrument in this O P Nayyar classic.

8. Aaiye meherban, Howrah Bridge (1958): Nayyar and Asha collaborated on countless chartbusters but the seduction of Aaiye meherban on screen or off it hasn’t lost an ounce of its sizzle.


Image: Asha Bhosle


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Sukanya Verma

9. Nazar lagi raja tore bangle par, Kala Pani (1958): I adore her appeasing tone of Achha ji main haari from the same soundtrack but the delightful intricacy of the mujra number, Nazar lagi raja gives it an undeniable edge.

10. Are ja re hat natkhat, Navrang (1959): The gorgeous ballets orchestrated to C Ramchandra’s soundtrack rides high on Asha’s signature verve.

11. Na to karwan ki talash hai, Barsaat Ki Raat (1960): In the Sahir Ludhianvi-penned epic qawaali composed by Roshan, senses and sentiments soar in the classical assertions of Rafi, Manna Dey and Sudha Malhotra and the one and only Asha for 12 feverish minutes. Yeh ishq ishq hai after all.

12. Kali ghata chhaye mora jiya, Sujata (1960): Her ability to control voice like temperature has the gift to create an ambiance on its own. And Asha’s gentle, graceful aesthetics in this S D Burman number achieves it harmoniously.

13. Dil ki kahani, Chaudhvin ka chand (1961): Apart from Rafi’s glorious title track, Ravi’s soundtrack boasts of another gem from Asha picturised on Minoo Mumtaz.

14. Abhi na jao chod kar, Hum Dono (1962): And for all his (Rafi) charming pleas to stay a while longer, Asha smilingly declines, ‘Nahi, nahi, nahi’ in the remarkable romance of Jaidev’s melody.

15. Saakiya aaj mujhe neend na aayegi, Sahib Biwi Aur Ghulam (1962): Asha is reliably bubbly in Bhanwra bada naadan hai but the drama she imparts to Hemant Kumar’s Saakiya is just not celebrated enough.

16. Aankhon se jo utri hai, Phir Wohi Dil Laaya Hoon (1963): The caramel texture of her free-flowing voice aptly conveys the proud, gushing tone of her namesake’s (Asha Parekh) on screen declaration.


Image: Madhubala in Howrah Bridge


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17. Nigahein milane ko jee chahta hai, Dil Hi Toh Hai (1963): ‘Woh tohmat jisse ishq kehti hai duniya. Woh tohmat uthane ko jee chahta hai.’ Her golden voice radiates so much conviction; it doubles the credibility of an already fantastic track.

18. Ab ke baras bhejo, Bandini (1963): The crumbling hope in her voice while resonating Shailendra’s heart-breaking lines against S D Burman’s sombre tune is a far cry from the joie de vivre she’s known for.

19. Kahe tarsaye jiyara, Chitralekha (1964): Teaming up with sister Usha Mangeshkar, the duo ooze classical fervour in the absolutely electrifying, Kahe tarsaye.

20. Ishaaron ishaaron mein Kashmir Ki Kali (1964): The 1960s heroine typically alternated between coy and flirtatious. Asha embodies the demure darling for Sharmila Tagore’s debut in Kashmir Ki Kali.

21. Yeh reshmi zulfon ka andhera, Mere Sanam (1965): And promptly transforms into a daring damsel for Mumtaz, in the sublime, seductive Yeh reshmi zulfon. I like it better than Nayyar’s similar-sounding ditties, Aao huzoor tumko (Kismat) or Woh haseen dard (Humsaaya).

22. Aage bhi jaane na tu, Waqt (1965): Asha spews carpe diem-ish philosophy like only she can in Yash Chopra’s glossy family drama.

23. Zara haule haule chalo, Sawan Ki Ghata (1966): Long before Tushar Bhatia could channel the ghodagaadi flavours of Nayyar’s peppy chartbuster in Andaz Apna Apna, Asha Bhosle’s spunk rocked its beats ‘haule haule.’

24. Aaja aaja, Teesri Manzil (1966): It’s no fun picking just one from an album as eclectic as this. But the singer simply outshines Rafi in this zany, madcap Rahul Dev Burman rock n roll number with her incredible ah-ah-ah-ahsomeness.


Image: Asha Parekh in Teesri Manzil


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25. Khat likh de, Aaye Din Bahar Ke (1966): Helmed by Laximkant Pyarelal, the hugely popular Khat likh de sounds like a deceptively simple tune. Try singing it and you’ll realise the prowess of Asha.

26. Bheegi bheegi faza, Anupama (1966): Lata Mangeshkar and Hemant Kumar may have walked away with the better songs picturised on the main leads but Asha is no less efficient or effervescent in the easy-going Bheegi bheegi featuring Shashikala.

27. Jab chali thandi hawa, Do Badan (1966): The Asha Bhosle-Asha Parekh combo hardly disappoints. And the melancholic mood of this Do Badan ditty is true to our faith.

28. Huzoor-e-wala, Yeh Raat Phir Na Aayegi (1966): The vivacious singer collaborates with Minoo Purshottam to render this breezy Helen-Madhumati cabaret.

29. Paan khaye saiyan, Teesri Kasam (1967): Her ever-so-attractive emphasis on ‘laal laal’, ‘hai hai’ or breaking into a spontaneous giggle lends that extra something to Shankar Jaikishan’s beautiful creation.

30. Yaar baadshah yaar dilruba, CID 909 (1967): There are no curling machines for the human voice, but the curves in Asha’s singing for the rabab-infused Yaar baadshah, picturised on a scorching hot Helen, bear almost scientific precision.

31. Raat akeli hai, Jewel Thief (1967): While a tantalising Tanuja sashays on celluloid, Asha plays the seductress behind the scenes in the super sensual Raat akeli hai.

32. Hum intezar karenge, Bahu Begum (1967): The grandeur and dedication of old-school romances is captured befittingly in her opulent rendition.


Image: Tanuja in Jewel Thief


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33. Raat ke humsafar, An Evening in Paris (1967): The sweet, lilting vibe of Asha and Rafi’s vocal serenade is relaxing, therapeutic.

34. Parde mein rehne do, Shikar (1968): Just the way she states ‘Allah’ and its an instant #win.

35. Meri beri ke ber mat todo, Anokhi Raat (1968): Sanober Kabir’s abysmal attempt to demolish its memories with her demeaning remix cannot ruin Asha’s eager, flirtatious protests in Meri beri ke ber.


36. Gunguna rahe hain, Aradhana (1969): S D Burman’s lovely score hugely benefits from Asha’s penchant for the impromptu with her playful humming.

37. Kajra mohabbat wala, Kismat (1969): Having sung with Shamshad Begum on several occasions, the comfort level is apparent as they bring the house down with their fun-filled Kajra.

38. Dum maro dum, Hare Rama Hare Krishna (1971): Don’t need to cite any reasons to explain what makes this trippy Asha-RD classic so trippy.

39. Ab jo mile hain toh, Caravan (1971): Asha gets wildly sexy to do justice to Aruna Irani’s hourglass oomph in this song from Caravan, which is unfairly overlooked for the more prolific Piya tu.

40. Jaane jaan, Jawani Diwani (1972): Ever so ingenious, her wide range comes through in the experimental treble-to-bass contribution to this RD super hit.


Image: Zeenat Aman in Hare Rama Hare Krishna


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41. Jab andhera hota hai, Raja Rani (1973): Asha and Bhupinder liven up RD sly, enigmatic composition with their slickness and contrasting vocal texture.

42. Chura liya hai tumne, Yaadon Ki Baarat (1973): Despite being one of the most excessively aired song of all times, Asha’s syrupy turn in RD’s iconic tune of the 1970s is food for the lovesick soul to this date.

43. Sajna hai mujhe sajna ke liye, Saudagar (1973): Embellished with the coquettish la la las, Asha’s dolling up session to Ravindra Jain’s music is way more fun than waiting for a real someone to get ready.

44. Koi shahari babu, Loafer (1973): The zingy rhythm and masti of LP’s upbeat score fondly resonates in Asha’s playback skills.

45. Diljalon ka dil jalake, Zanjeer (1973): Saucy songs rely on perfect timing. Asha’s deftly calculated pizzazz and pluck rocks Bindu’s shake ‘n’ stir in Zanjeer.

46. Neend churake raaton mein, Shareef Baadmaash (1973): While Kishore Kumar plays hard to get, Asha fires from all cylinder to win him over in this lovely number. And win over she does.

47. Jaaneman jaaneman, Chhoti Si Baat (1975): Asha’s spice and Yesudas’s soul blend seamlessly for this frothy Salil Chowdhary treat.

 48 Bechara dil kya kare, Khushboo (1975): Both Bechara and Ghar jayegi bear the unmistakable stamp of Gulzar’s imagination, RD’s finesse and Asha’s vibrancy. Just happen to like Bechara a wee better.


Image: Hema Malini in Raja Jani


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49. Sapna mera toot gaya, Khel Khel Mein (1975): Asha’s expressive, narrated in detail anguish in Sapna mera toot gaya is something no other has the nerve to replicate forget recreate.

50. Yeh ladka hai allah, Hum Kisise Kam Nahin (1977): The singer, along with late husband RD, returns in the O mere sona re space for the eternally cheerful Yeh ladka hai allah.

51. Sara pyaar tumhara, Anand Ashram (1977): Asha keeps it understated, melodious along with Kishore Kumar for Shyamal Mitra’s dulcet composition.


52. Yeh mera dil pyar ka diwana, Don (1978): Oozing oodles of oomph for Kalyanji Anandji’s ditzy ditty gave Helen yet another chartbuster to shake a leg on.

53. Do lafzon ki hai dil, The Great Gambler (1979): Asha Bhosle’s sur and Zeenat Aman’s splendour translate into Bollywood’s most romantic gondola number.

54. Aisa ho toh kaisa hoga, Ratnadeep (1979): The stunning simplicity of Asha’s wishful thinking in Ratnadeep makes for effortless listening.

55. Jab chhaye mera jadoo, Lootmaar (1980): After creating memorable music with composer Roshan, Asha sings for his son, Rajesh in the whimsical Jab chhaye.

56. Pyaar karnewale, Shaan (1980): The ambitious tone of Ramesh Sippy’s 007-inspired Shaan reflects in the film’s lavish soundtrack too. And Asha efficiently goes for the larger-than-life effect in her swaggering delivery of Pyaar karnewale.


Image: Helen in Don

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57. Piya bawri, Khubsoorat (1980): Asha regales in her classical rendition of Piya interspersed with Ashok Kumar’s pulsating bols.

58. Yeh saaye hain, Sitara (1980): Gulzar’s philosophical musings about showbiz and Asha’s pensive understanding of the same is simply awe-inspiring.

59. Khatouba, Ali Baba Aur Chalees Chor (1980): For the Indo-Russian produced Arabic fairy tale, Asha endorses RD’s brand of exotica with her enticing inflections.

60. Dil cheez kya hai, Umrao Jaan (1981): ‘Is anjuman mein aapko aana hai baar baar.’ The singer pours her heart, soul and artistry in Khayyam’s impeccable creations to produce the tour de force of her career. The upshot is a smitten listener heading for the repeat/rewind button baar baar.

61. Phir se aaiyo badra bidesi, Namkeen (1982): The quirky mood of RD’s sulky strain is articulated with wonderful restraint by Asha. Yep, Kaale, Kamlewaali ki sau.

62. Tu tu hai wohi, Yeh Vaada Raha (1982): Asha wields the microphone to become the singing voice of close friend Poonam Dhillon in this lovey-dovey title track of Yeh Vaada Raha.

63. Hothon pe beeti baat aayi hai, Angoor (1982): The songstress slips into a puckish mode to convey Gulzar’s wacky imagery ‘Chaand ko chabane ki raat aayi hai’ in this underrated RD number from Angoor. I’ve always found Mera kuch saaman to be a close cousin of this one only the latter has superior lyrical value.

64. Jawan janeman, Namak Halal (1982): Parveen’s smouldering jig on screen would be half as effective without Asha’s scintillating input of a-ha’s and o-ho’s.


Image: Rekha in Umrao Jaan


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65. Mere angana aaye re, Naram Garam (1982): A great playback singer can acquire the personality of any character he/she’s singing for. Asha embraces the girl-next-door humility of Swaroop Sampat’s Kusum in the trance-inducing Phir se.


66. Aur kya ehde wafa hote hai, Sunny (1984): Sunny has a handful of pretty songs on its menu. And Asha’s lilting gaayki here is one of them. Another version of the same ghazal with Suresh Wadkar is no less impressive.


67. O meri jaan, Manzil Manzil (1984): Though the film flopped, RD’s soundtrack hits all the chords. And Asha sounds absolutely divine in this mellow favourite, O meri jaan.


68. Dil kyon, Utsav (1984): Asha and her didi, Lata Mangeshkar have sung together earlier too but the elegant chemistry of the sisterhood in LP’s Dil kyon is especially attractive.

69. Jaane do naa, Sagar (1985): Too hot to handle! Said every single speaker since 1985 who has played this song. Uff, Asha Bhosle!


70. Roz roz aankhon tale, Jeeva (1986): Some movies don’t merit RD’s beautiful score. And so Asha’s euphonic admissions deserved a better platform than the bland Mandakini or an obscure potboiler like Jeeva.


71. Jaane jaan o meri jaane jaan, Sanam Teri Kasam (1986): In contrast, Reena Roy pays perfect tribute to the singer’s ebullience with her dynamism in the hugely popular disco ditty. Also, a-ha ha a-ha ha never sounded this good. Nor did tin tinak dhin.


72. Khaali haath shaam aayi, Ijaazat (1987): Restless abandon makes way for the hard-hitting melancholy that comes with unending anticipation in her poignant expressions. The ‘thehrav’ she lends Khaali haath is why I pick it over other gems like Katra katra or Mera kucch saaman from the same album.


Image: Dimple Kapadia in Sagar

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73. Pyar ke mod, Parinda (1989): Asha’s romantic grace in Pyar ke mod evoke an imagery that’s both serene and soothing.

74. Jhoote naina bole, Lekin.. (1990): Yaara silli silli it is not but there’s ample to appreciate about brother Hridayanath Mangeshkar’s ethereal composition and Asha’s equally powerful recital.

75. Dekha teri mast nigahon mein, Khiladi (1992): The legend steps into the 1990s with trademark fire, imprinting her inherent Asha-ness on a steamy duet with Kumar Sanu for a Jatin-Lalit number. What an entry!

76. Idli doo, Khel (1992): Any song benefits if the artist has a ball performing it. And Asha, clearly, is in mood for mischief making ridiculous demands on Madhuri Dixit’s behalf during Idli doo. Laake do, dammit!

77. Dil toh dil hai, Zindagi Ek Jua (1992): Despite Madhuri Dixit’s temptress act, this song never really caught on big time. Even so I adore Asha’s no-holds barred spirit in Bappi Lahiri’s flamboyant, synthesiser-friendly beats.

78. Tanha tanha, Rangeela (1995): Asha’s snazzy disapproval for singledom in the garb of A R Rahman’s catchy music and Urmila Matondkar’s astonishing makeover in Rangeela is stuff love-at-first-sight is made of.

79. Kahin aag lage, Taal (1999): Rahman’s refreshing take on soundtracks allowed Asha’s fresh-as-ever voice to present yet another facet of her endless know-how of sur and taal.

80. Radha kaise na jale, Lagaan (2001): Rahman’s originality and Asha’s experience bring out the green in full force in Lagaan’s Radha kaise na jale.


Image: Urmila Matondkar in Rangeela


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