Rediff India Abroad
 Rediff India Abroad Home  |  All the sections

Search:



The Web

India Abroad




Newsletters
Sign up today!

Article Tools
Email this article
Top emailed links
Print this article
Contact the editors
Discuss this article

Home > Movies > Bollywood News

'The Hero is not an Indian James Bond'

Subhash K Jha | April 09, 2003 20:36 IST

Sunny Deol in The HeroIt is not as though Anil Sharma's career started with Gadar --Ek Prem Katha. He has a large number of potboilers to his credit, some of which were quite successful.

Nor will Sharma's career end with hisnew espionage epic, The Hero: Love Story Of A Spy.

Rushing to get The Hero into theatres on April 11 even as hefights a diktatby four leading Mumbai film associations banning the release of new Hindi films, Sharma is a hassled, but happy, filmmaker.

Though he enjoys being known asGadar's director, Sharma is certainly not basking in its glory. "Why just Gadar [starringSunny Deol and Amisha Patel]? I want to be known as the director of all my films, whetherit is my first film Shradhanjali [Suresh Oberoi, Raakhee] or the one I made beforeGadar [Maharaja, starring Govinda and Manisha Koirala]. I am proud of all my films, even Farishtay [Dharmendra, Vinod Khanna, Rajnikanth, Sridevi, Swapna, Jayaprada], during which I had a lot of problems with my producer."

Sharma was only 18 when he joined B R Chopra's production house as an assistant. At 21, he wrote and directed Shradhanjali."I knew nothing about filmmaking except the kind of films I liked watching," he recalls. "Then I made a sensitive film, Bandhan Kachchey Dhagon Ka [Shashi Kapoor, Rekha, Zeenat Aman], which was very close to my heart. But because of the video invasion in the 1980s, it did not work. I had no choice but to make the kind of films audiences liked rather than what I liked. That is how my first major hit Hukumat [Dharmendra, Rati Agnihotri] happened. It was as big a success as Gadar in those times, when the industry was facing a slump like it is today.Hukumat's success enabled me to launch Elaan-e-Jung with Dharmendra [andJayaprada]. It sold at Rs 45 lakhs [Rs 4.5 million] per territory. That is the equivalent of Rs 4.5 crores [Rs 45 million]today."

Sharma admits he got carried awaywhile making Elaan-e-Jung. "No matter what people expect from meafter Gadar, I have made a completely different film [The Hero]. Gadar was [a] period [drama]. The Hero is completely contemporary. I learnt my lesson while making Elaan-e-Jung. Halfway through, I realised I was making Hukumat all over again. But it was too late to turn back."

After Farishtay,Sharma took a five-year break. "I wanted to return only when I would be able to make the kind of films I wanted to. My comeback film Maharaja did not work for various reasons. But during the making of Maharaja, I wrote Gadar."

Sharma elaborated onGadar's interesting genesis. "I was actually working on a subject called Kashmir when I asked my writer Shaktimaan for a subplot about an Indo-Pak romance. He narrated the true story of Boota Singh's search for his wife duringPartition. I applied the story of Boota Singh to the Ramayana, where Lord Rama rescued Sita from Ravana. I knew the film would succeed. Who does not relate to the idea of a man rescuing the mother of his child from a strange land?"

But he was disappointed with the critics' reaction. "I do not blame them. Gadar was released with Lagaan, which had Aamir Khan's backing. Who [would have] wanted to see a filmby Anil Sharma? Later, my friends in the media admitted there was a bias against Gadar. There is no comparison between the success of Gadar and Lagaan. If my film did business worth Rs 10, Lagaan did [business worth] Rs 2. But it is hard for those who wrote off Gadar to eat their words."

Sharma's association with Dharmendra's family goes back to 1987 when he made Hukumat, followed by Elaan-e-Jung, Tehelka and Farishtay with the star. With Gadar and The Hero, Sharma has renewed his association with the Deols by working with Sunny.Now, it is Bobby's turn. He will starin Sharma's next film, Ab Tumhare Hawaale Watan Saathiyon, in which Sharma reverts to his Gadar theme of rustic patriotism. "It moves through1971 to the present."

The filmmaker calls Sunny a subtle actor. "He doesnor want to overact unless he is made to. Directors force him to rave and rant on screen. He wants to avoid all that as much as possible."

Sunny wearsvarious disguises in The Hero.Sharma explains, "A spy has to wear disguises. Sunny wasn't comfortable doing it. He had to streak his hair blonde. Sunny plays a subtle spy whodoesn't scream and shout."

Sharma says he had planned The Hero much before Gadar's release. "That is the way I work. My responsibility is to living up to my own expectations. I'm happy with The Hero. I make films I enjoy. Whether they succeed or not comes later. I can never treat filmmaking as a job. Those who do can never make a good film."

Heis sure The Hero will besuccessful. "But it is not an Indian James Bond, please! When I wanted to make an espionage film, I contemplated doing a James Bond. But Indian films don't have that kind of budget. Our main money goes into paying the stars. Then I thought of making a film based on the spy network in India."

The burden of having helmedone of Hindi cinema's big hits weighs on the director's mind. "Gadar was a different film. The Bharatiyapan [Indianness] in that film cannot be there in all my films. It was a great pleasure going back in history in Gadar. The Hero gave me a chance to be completely contemporary. It is not an espionage film like Ramanand Sagar's Aankhen in which Dharamji starred 33 years ago. The Hero is a clean family film. No sex and violence."

A lot is being said about The Hero's budget. People have declared it the most expensive Hindi film ever made. Sharma is unhappy about the hype. "The producers have gone on record about the budget. I cannot tell you the exact cost. But yes, it is an expensive film. Normally, Indian filmmakers only shootsongs abroad. We shot 50 per cent of the film with helicopters and trains in Canada and Switzerland. To hire a driver, you have to pay 500 francs in Switzerland. To fill a whole train with people, I had to pay 500 francs per head."

"Audiences' expectations rise with such declarations. A film works on emotions, not the budget. How do you think Jai Santoshi Maa worked? Even 27 years later, viewers across the nation, including myfamily, are glued to their seats when it is shown on television. I think The Hero will work because of its sensitivity."

Sharma agrees it is risky to make a film as huge as The Hero when the film industry is going throughaslump. "But everything is risky; even walking on the street is risky. I knew before I started how much it would cost. I think the two years I gave to the film are more important than the budget. The money may come back, the time won't. Films these days don't work because filmmakers don't give enough time to them. Films like Sholay, Guide, Mera Gaon Mera Desh and Deewar were 'hundred per cent films.' So wasGadar.Hopefully, The Hero will be the same."



Share your comments


 What do you think about the story?




Read what others have to say:


Number of User Comments: 4




Sub: The Hero

It's all fine that Anil Sharma talking about The Hero being the costliest production in Bollywood history.Going through the article one does feel that what ...


Posted by srnivas rao





Sub: The Hero - Is it Spy Story or Love Story or both or none of these!!

Hi, Anil Sharma is surely making tall claims that it will be 100% film, it will be sensitive, it is not copy of James Bond, ...


Posted by Jeevan Chaukar





Sub: RE:No comparison between lagaan and gadar

Well about comparison between Gadar and Lagaan, yes the movies are totally different in their aspects from each other. Both films were very well directed. ...


Posted by sam





Sub: No comparison between lagaan and gadar

Please do not comapre Lagaan with Gadar. Lagaan is best movie I have ever seen. As you have already mentioned that the box office success ...


Posted by vishakha




Disclaimer

Advertisement






Copyright 2006 Rediff.com India Limited. All Rights Reserved.